In the 1952 film Tokyo Sweetheart, directed by Yasuki Chiba, actress Setsuko Hara portrays Yuki, a street sketch artist who has a meet-cute with Kurokawa, a good-hearted man portrayed by Toshiro Mifune. Yuki does the sketch of Kurokawa that's shown above. It's a pretty good sketch, though it only gets about three seconds of screen time; some artist definitely did their job well behind the scenes.
Tokyo Sweetheart is a fun film overall. It's full of misunderstandings, machinations and switcheroos, mostly involving a valuable ring and its less valuable replica. It's not all screwball comedy, though. This is devastated post-war Japan, so there are money troubles, the reemergence of the Yakuza (though they're comically portrayed) and a storyline involving a dying sex worker who wants only to reunite with her mother.
The scenes involving Hara and Mifune are the most enjoyable. They didn't appear in many movies together and this might be the film in which they have the most shared screen time. (I haven't seen Kurosawa's The Idiot, though.) It's fun to imagine an alternate timeline in which Hara and Mifune co-starred in a series of Thin Man-like films, or had their own Bogart-Bacall or Grant-Hepburn energy.
A review of Tokyo Sweetheart on Japanonfilm notes: "Neither Hara nor Mifune were known for romantic comedies, so the arrival of this is a welcome extension of our understanding of both those stars. ... One extra layer of interest is the way it adapts the tried and true romantic comedy formula of western film into the context of Japanese society."
Here are a few more images from the sketching scene in Tokyo Sweetheart:
Find someone who looks at you
the way Setsuko Hara looks at Toshire Mifune here.
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