Saturday, October 26, 2024

Triad and Stevie and witches, oh my

Back at it on this lovely (if a bit too hot for October 26) Saturday afternoon in the desert. The haunts, horrors and hexes of October continue today with Mary Leader's 1973 supernatural novel Triad and its various associations, musical and mythological.

By the way, if you're thinking Papergreat has been too consistently unserious with all the ghosts and ghouls this month, please know that writing this blog, especially in this moment, represents my brief opportunity to take a timeout from the real world, which has real ghouls and ghastliness, a few times each week. It's my escapism, my stress-release valve, and it's typically unserious on purpose. It's a momentary respite from life in a nation where being transgender, undocumented, non-Caucasian or, in my case, a journalist puts an immense societal target on you.1 And heaven help you if you're more than one of those things at once. I cannot even imagine.

Deep breath.

So .... Triad!

I'm betting that a whole bunch of you already know the historic significance of this seemingly random 51-year-old novel, which was one of only two published by Mary Bartlet Leader (1918-2004).

That significance, in a nutshell: Around Halloween 1974, 26-year-old Stephanie Lynn Nicks read Triad and was struck, in particular, by one aspect of the haunting novel. Two months later, she and her then-boyfriend, Lindsey, joined a struggling band called Fleetwood Mac, which was seeking a spark. It got one! The band's next album, released the following summer, featured a hit single that new addition Stevie Nicks had written in a whirlwind, inspired by a certain uncommon name in Mary Leader's novel.

At Fleetwood Mac concerts, Lindsey Buckingham's guitar opens that song.

Then Nicks stepped to the microphone and announces, "This is a song about an old Welsh witch."

Then she begins: Rhiannon rings like a bell through the night...

Plotwise, there's almost nothing in common with the novel and the song lyrics. But that name, Rhiannon, and the supernatural elements within Triad, hung in Nicks' subconscious for weeks after she read it, waiting for the songwriter to put them to paper.

Piecing together some different interviews Nicks did in the mid-1970s, she explained, "I read the name ... [in] a novel and really liked it and thought, 'That's really a beautiful name.' Sat down, tap, tap, tap ... about 10 minutes later wrote Rhiannon."  And this: "So I wrote this song and made her into what I thought was an old Welsh witch. And then I had just, just found out — because somebody from Phoenix found a whole trilogy of books written in 1972 on Welsh mythology — that Rhiannon was a Welsh witch. ... Which is pretty weird because I never saw that. And yet the song is exactly about that. So it is ... just about a very mystical woman that finds it very, very hard to be tied down in any kind of way — and she's uplifting all through the song."

The "trilogy" mentioned is actually a series of four novels by Evangeline Walton (1907-1996)2. The novels — The Island of the Mighty, The Children of Llyr, The Song of Rhiannon and Prince of Annwn  —  are based on the Welsh legends known as the Mabinogion.

The best article I've read that gives the full history of "Rhiannon" was written by Bill DeMain and published in September 2023 on Louder. I think, as we all do with big events in our past, that Nicks has spent the decades recrafting the telling of the origin story, compared to what she might have said during interviews in the 1970s. Of Triad, she tells DeMain, "It was just a stupid little paperback that I found somewhere at somebody’s house, lying on the couch."3 The article is a great read, with allusions to bibliomancy4, birdsongs (very crucial for "Rhiannon"), and how Fleetwood Mac bandmates took the "skeleton" of her lyrics and built a fully-alive song around it. Nicks also discusses a "trippy" time visiting Evangeline Walton at her Rhiannon-themed home in Tucson, Arizona.

* * *

Let's circle back to Mary Leader's book, Triad, and its beautiful cover for the hardcover publication.
On Newspapers.com, I found a terrific article in the April 30, 1973, edition of the Herald-Times-Reporter of Manitowoc-Two Rivers, Wisconsin. (One of the two photos with the article is shown above.) Leader was a guest speaker at a library to discuss her book, and the article has details I haven't found anywhere else about Triad.

For one thing, that wasn't the original title! Leader had titled it The Elephant's Tail. But famed dust jacket designer Paul Bacon couldn't do anything with that, Leader said. So she suggested changing the title to Triad, which Bacon could work with. (Would Nicks have picked up a book titled The Elephant's Tail?) 

The novel had an interesting genesis, according to the article, which was written by Herald-Times-Reporter News Editor Marjorie Miley:
"Mrs. Leader didn't start out to write a novel. She was working on her thesis for a master's degree in English at the University of Wisconsin, Milwaukee. A course in Arthurian romance further developed her longtime interest in Celtic mythology. 'Celtic myths are fully as fascinating as Greek myths,' she stresses.

"Mrs. Leader had added a creative writing course to her schedule thinking she was better suited for fiction than scholarly writings.

"About this time in the pursuit of her degree, (which incidentally was granted) she was relaxing by watching a television show. 'It was one of those doctor things where someone has a psychological problem. I started doing some constructive dreaming (as opposed to dozing off) and the idea for Triad came to me ... The concept of the triple goddess. But my story would be a modern story.'"

In a 2017 review of Triad on Goodreads 2017, Julie wrote: "Even if it hadn’t experienced a kind of cult status, this story really is a rare gem. It’s not a very long book, but it’s filled with vivid imageries and is very well versed in Welsh mythologies. It is a very effective story, even for a jaded reader like me. I can imagine the impact it would have on readers in 1973. Once I started reading it, I found myself hypnotized by it. This is a moody, dark, atmospheric supernatural tale, that certainly stands the test of time."

Another Goodreads reviewer, Justin Glanville, makes mention of the novel's final sentence: "But one thing I do know — Rhiannon and I will meet again and again until someday, at some turn of the spiral, we will come together in our last struggle and I will win."

Sound familiar?
 
Will you ever win? is an oft-repeated verse in Nicks' "Rhiannon."

Witches — mythological, literary and musical — work in mysterious ways.

Footnotes
1. For example: At a presidential campaign rally two days ago, about an hour's drive from my house, the candidate said of journalists: “They are just bad people. And until we get a fair and free press in this country, they’re just bad people. ... They’re the enemy of the people. ... They are the enemy.” The crowd cheered American journalists being called "the enemy of the people."
2. Walton was featured in a 2017 Papergreat post about her novel Witch House.
3. And in other interviews over the years, Nicks has said she bought Triad in an airport, to read on a flight.
4. Since it's sitting right here, I practiced some bibliomancy with Triad. Letting fate choose a random page, I closed my eyes and placed my finger on a passage. It reads: "Before we go into that, I must tell you that you are probably basically a good person, conscientious to a fault, or you wouldn't suffer so much remorse."

Wednesday, October 23, 2024

The Crestwood House monster books

Stripe, with her spiffy bowtie, helps with today's post.
It's a happy coincidence that her colors match the Crestwood House books.

Full disclosure: When I was a kid, I wasn't too interested in the Crestwood House series of hardcover books that focused on the Universal Classic Monsters, Godzilla, King Kong and other iconic films. I was drawn more to the Contemporary Perspectives/Raintree books about paranormal phenomenon and cryptozoology, and, of course, Ruth Manning-Sanders' fairy tales books. Public school libraries had so much cool stuff! 

But now I see how awesome the Crestwood House books are, and they're also an incredible historic record of some foundational monster and science-fiction movies in U.S. film. I've picked up a few well-worn ex-library copies over the years, including Dracula and Frankenstein, with Bela and Boris on their covers.

Here are some representative memories about the series I've curated from all around the web:

From a Facebook post on the "Mid Century & Vintage Halloween" group:
  • "I credit the Godzilla book with making me a huge Godzilla fan as a kid. I used to check out that one all the time."
  • "I would look forward to library day, because of these!"
  • "OMG!!! These books taught me how to read!!!"
From a Reddit post earlier this year:
  • "My grade school library had most of them. I absolutely loved these books. Being the early to mid-eighties, these things were an absolute treasure."
  • "I loved these books. My elementary school library had them. Started my love of classic horror films."

There's a seven-page message board forum about Crestwood House books on the Universal Monster Army website. The first post was in December 2007 and the most recent one is from August 2012. In 2007, one poster wrote: "I was a librarian and teacher in another life, and had the Crestwood books on my shelves -- and they certainly were popular! I can't recall now if there was a different publisher or just a different 'line', but some were purple and some were orange. Maybe horror set vs sci fi set? I found the best info about them in UMA member Rick Stoner's MONSTER MAYHEM periodical."

A few posts later, the full Crestwood House monster series is listed. I'm sharing it here for posterity, hopefully to boost the ease with which people can find information about these beloved childhood books. But credit goes to that 2007 poster, who was reposting from an even older message board!

> Here's a list compiled by our very own Richard Olson from his article
> published in the Stoner's Monster Mayhem Fanzine (Series, publication
> release, ISBN and author):
>
> MONSTER SERIES (Orange Books):
> FRANKENSTEIN * Ian Thorne * 0-913940-73 * 1977
> DRACULA * Ian Thorne * 0-913940-74 * 1977
> GODZILLA * Ian Thorne * 0-913940-75 * 1977
> KING KONG * Ian Thorne * 0-913940-76 * 1977
> MAD SCIENTISTS * Ian Thorne * 0-913940-77 * 1977
> THE WOLF MAN * Ian Thorne * 0-913940-78 * 1977
> THE MUMMY * Ian Thorne * 0-89686-189 * 1981
> CREATURE FROM THE BLACK LAGOON * Ian Thorne * 0-89686-190 * 1981
> FRANKENSTEIN MEETS WOLFMAN * Ian Thorne * 0-89686-191 * 1981
> THE BLOB * Ian Thorne * 0-89686-215 * 1982
> IT CAME FROM OUTER SPACE * Ian Thorne * 0-89686-216 * 1982
> THE DEADLY MANTIS * Ian Thorne * 0-89686-217 * 1982
> THE INVISIBLE MAN * Ian Thorne * 0-89686-372 * 1986
> THE PHANTOM OF THE OPERA * Ian Thorne * 0-89686-373 * 1987
> MURDERS IN THE RUE MORGUE * Wm Sanford/Carl Green * 0-89686-374 * 1987
>
> MOVIE MONSTERS SERIES (Purple Books):
> BLACK FRIDAY * Wm Sanford/Carl Green * 0-89686-258 * 1985
> BRIDE OF FRANKENSTEIN * Wm Sanford/Carl Green * 0-89686-259 * 1985
> DRACULA'S DAUGHTER * Wm Sanford/Carl Green * 0-89686-260 * 1985
> GHOST OF FRANKENSTEIN * Wm Sanford/Carl Green * 0-89686-261 * 1985
> THE MOLE PEOPLE * Wm Sanford/Carl Green * 0-89686-262 * 1985
> THE RAVEN * Wm Sanford/Carl Green * 0-89686-263 * 1985
> TARANTULA * Wm Sanford/Carl Green * 0-89686-264 * 1985
> WEREWOLF OF LONDON * Wm Sanford/Carl Green * 0-89686-265 * 1985
> THE BLACK CAT * Wm Sanford/Carl Green * 0-89686-310 * 1987
> HOUSE OF FEAR * Wm Sanford/Carl Green * 0-89686-311 * 1986
> HOUSE OF THE SEVEN GABLES * Wm Sanford/Carl Green * 0-89686-312 * 1987
> REVENGE OF THE CREATURE * Wm Sanford/Carl Green * 0-89686-313 * 1986
>
> CRESTWOOD HOUSE/MCMILLIAN CHILDS GROUP "FILM SERIES"
> HORROR FILMS * Rhonda Nottridge * 0-89686-719 * 1992
>
> Maniacally,
>
> Rick
> Stoner's Monster Mayhem

If you want even more Crestwood House memories, check out this 2010 post on the Titans Terrors and Toys blog, and this 2008 post on the Cavalcade of Awesome blog. (I hope these blogs stick around forever; they are treasures.)

It seems appropriate to end this post with feral neighborhood cat Drac, aka Little Baby Dracula. 
She looks just like her sister Mercury, who lives with us.

Monday, October 21, 2024

Advertisements in the final 1960s issue of "Horror Monsters" magazine

Horror Monsters was published by Charlton Publications for 10 quarterly issues in the mid 1960s. This is a very ragged copy of the 10th and final issue, which is listed as Winter 1964-65.

The magazine was a competitor to Famous Monsters of Filmland and, ultimately, didn't seem to succeed in that endeavor. The monster market wasn't big enough for both of them.

Horror Monsters gave it the good college try, though. This final issue includes an extensive feature story about Vincent Price, photo-filled looks at Mario Bava's Black Sabbath (of my favorites) and Hammer's The Curse of Frankenstein, and a feature article about alleged true-life cases of vampirism throughout history. 

It also has cool advertisements aimed at an audience that was composed primarily of teenage boys. There are a decent number of ads, but they are from just a handful of companies — Cult of Horror, Victor Specialties and World Wide Specialties — which was likely another sign of the magazine's flagging viability. 

As you'll see, there is both a Do-It-Yourself Vampire Kit and a Do-It-Yourself Werewolf Kit. They cost $1 apiece and, while that's $10 in today's dollars, I can't imagine the package kids got back in the mail were too exciting. But maybe someone has happy memories of getting their kit.

Finally, this small advertisement, nestled among chattering teeth, a shark-tooth necklace and a plastic snake, made me smile. The Worry Bird was a minor phenomenon in the 1960s, though no one seems to know much about the official origins of the big-beaked, sad-eyed creature.

Sunday, October 20, 2024

Chilling prediction tucked away inside 1968's "Dwellers in Darkness"

I don't get to experience the pure delight of Tucked Away Inside items much anymore. It used to be one of my favorite things about sorting through boxes of used books to assess their viability for possible sale on Amazon.

But I recently picked up a used copy of the 1968 paperback Dwellers in the Darkness: The Enigma of the Supernatural, by John Macklin, and found an intriguing — and somewhat ominous — piece of paper folded up and tucked away inside. Weirdly, this is my second Macklin book this year that had something inside. Challenge to Reality, which I wrote about in January, still had its original receipt inside.

It's a long note, written in flowing, left-leaning cursive. As I worked my way through the whole message, I'll admit I started to get a feeling of minor dread in the pit of my stomach. I think we can guess this was written in 1968 or the early 1970s, at the latest. The book is pristine and clearly hasn't been handled much over the decades. 

Here's what the note states:
Brad
In his town where he will live, he will be hailed as a genius. Soon he would be found to be terribly conceited and they'll pay no attention to him. He will get poorer and poorer. Then a lady will come into his life, someone of nobility or royalty, and he will become rich. He will become powerful and somewhat evil or have a less extent of will applied to good ends. Nevertheless, he will have something to do with advances in education. Will grow more evil and when faced with charge of being too cruel or not doing much for something or another he will cancel it with a legal hearing, freeing him. Will receive more power, but will make mistakes and have disconnect with something important. Ill fortune — wife will die — but he will remarry and grow richer. He will lose position in gov. and go bankrupt. Will still have wife, but will be surrounded by false friends. Will live happily with wife.
Adding to the weirdness of this, the bottom-right portion of the sheet of paper has been torn off. Was something else written there?

I'll let you draw your own conclusions, as I'm sure some interesting ones formed in your mind while reading this — fortune? Prediction? Harmless outline for a character in an acting class or a writer's group? 

I ran it through a plagiarism checker and it came out as 100% unique, for whatever that's worth. And the text doesn't come up in any Google searches. 

There's also the added context that this was tucked away inside a book that states on the back cover: "These are the Dwellers in the Darkness — the people who seem to be just like you and me — but who are in reality, like nothing you have ever encountered."

And who is Brad?

Saturday, October 19, 2024

Brochure for the Boris Karloff Wax Museum in Niagara Falls

Every October needs a little Boris Karloff. This is an undated brochure for the Boris Karloff Wax Museum, which was located at the corner of Oakes Drive and Buchanan Avenue in Niagara Falls, Canada. It was a longtime fixture of the entertainment district known as Clifton Hill, a touristy spot near the falls filled with museums (usually hokey rather than prestigious), arcades and similar attractions.

I can't find an official history of the museum, so much of what I've assembled here is via two sources:

The museum opened around 1968, and I found evidence on Newspapers.com that it still existed as late as 1992. It was built and managed by Robert Dunham, an entrepreneur behind numerous popular attractions in Niagara Falls. The Dunham family had a company named Waxattract that constructed wax figures and other components. Waxattract had a subdivision named Enter-Tech.

The brochure notes: "Once you step inside the Boris Karloff Wax Museum be prepared to enter an entirely different world. A world of the supernatural ... a chilling, eerie world ... a world that will eliminate common everyday thoughts and feelings. Thirty-three different scenes will boggle your mind and thrill your senses." It goes on to specifically mention Jack the Ripper, the Phantom of the Opera, the Mummy, the Hunchback of Notre Dame, Medusa, zombies and the Devil himself.

But the museum wasn't entirely horror, it seems. You should read the entirely of the long and well-researched Reddit thread on the museum, but here's an excerpt: 
"The structure the museum was housed in had formerly housed the motel restaurant and gift shop on the lower floor and suites on the top floor. The bottom floor became the museum and gift shop, and looking at old photos it appears the rooms were kept above, but cleverly integrated into a castle-like facade. ... It was the first horror themed wax museum, but was by no means a total haunted attraction. What limited photos exist in the brochures show it being fairly well-lit, and describe many non-horror scenes like Charlie Brown, MLK, Santa, Lincoln and Snow White. It's heavy animation, lighting effects, sound design, and unique theme made it a massive success."
The thread on the Universal Monster Army message board includes images of some different brochures for the wax museum. Plus images of some nifty pennants from the gift shop. Several people also share their memories of touring the museum as children. This anecdote made me laugh: "My parents took me to Niagara Falls around 1970.  After a lot of begging, my parents dropped me off at the Wax Museum. As I recall, it was attached to a hotel. I bought my ticket in the lobby and looked at entry to the museum. It was all blinged out in cobwebs, skeletons, and other scary s**t. Well, I was too afraid to enter. I stood in the lobby for an hour and waited for my ride. When my parents showed up, I made up a complete description of the museum."

Writing for The Junior Reporter Club in the July 12, 1968, edition of The Evening Standard of Uniontown, Pennsylvania, young Judy Zajac shared her story about a family trip to Niagara Falls: "Both falls were very beautiful and I had a very enjoyable time. When we were leaving, we stopped at a wax museum. The name of the museum was Boris Karloff's Wax Museum of Horrors. When one enters, there is a statue of Boris Karloff. Some of the things in the museum are: The Living Heart, The Electric Chair, The Creatures, The Mummy and many more. They also had such things as Santa Claus, Little Red Riding Hood, and Snow White for younger children."

In July 1973, someone stole Dracula's red-and-black cape, valued at $300, from the museum, according to police reports. (That sounds like a good opening hook for a horror movie.)

Finally, here's a groovy advertisement from the August 30, 1969, edition of the Niagara Falls Review that describes a "ghost party" movie marathon at Hollywood Drive-In that was done in conjunction with the Boris Karloff Wax Museum.

Friday, October 18, 2024

The Sunbonnet Women of America and their 1925 Halloween seance


Witches! A seance! And a dance!

Oh my. It's a History Mystery. I want to know everything that can be known about the Sunbonnet Women of America. There are only a handful of clippings, all from 1925, about this group on Newspapers.com, and there's zilch on Google.

It's the above clipping that first caught my eye. Headlined "Wicked Witches Listed At Pre-Halloween Seance," it's from the October 18, 1925, edition of The Sunday Star of Washington, D.C. — exactly 99 years ago today. The Sunday Star was the Sunday edition of the Washington Evening Star.

The first paragraph states: "The Sunbonnet Women of America wish to solve the problems of their business brothers and sisters, so they invite them to come and help invoke the wiles of the 'wickedest witches' in a pre-Halloween seance and dance Thursday evening, October 29, at the Central Armory, Eleventh and Clifton streets northwestern."

The invitation itself is in verse:

So the ancient near-witch, Sunbonnet Sue,
Extends a summons to all of you
Who'd dance and laugh and brew and plot
To try the luck of the witches pot.
Disguise yourselves in Halloween hues,
If you'd be favored in the pot that brews,
And present your card at the door of Fate
For the fun begins at half-past eight.
There are favors that may be got,
So be on time to brew in the pot;
You may not know, but it sure is true,
Sunbonnet girls are among the few
Descended from the Salem witches
And work their wiles for Halloween wishers.
"Now, come you all, so eager to learn
If Fate for you her wheel will turn.
The business men do recognize
The worth of Sunbonnets wary and wise,
So they have placed in the witches's pot
Some lovely things which they will plot
That may be won by only those
Who please the witches by their clothes.
Now, brothers and sisters, eager and true,
Dress up quite well, it may be you."

Yes, the 1920s were certainly roaring. This was not an event to be missed. Keep in mind, though, that it was held in the midst of the Prohibition. Given the very public nature of the event, it's unlikely that there would have been any alcohol openly served. But perhaps some was smuggled in or, ahem, conjured. Maybe some historians who are most astute than I am about the skirting of Prohibition laws see some hints within the witches' invitation regarding what would be available at the dance.

The last paragraph lists some of the newest members of the Sunbonnet Women of America, "all prominent in Government, professional and business circles." I'm going to list them here, because maybe this post will help someone track down something new about one of their ancestors:

Mrs. Susie Moore
Miss Helen E. Burnett
Miss Helen C. Clark
Miss Nita S. Hinman
Mrs. Amelia E. Byrne
Mrs. Elsie C. Gulli
Miss Elizabeth M. Wall
Mrs. Mabel Driver
Miss Elizabeth K. Prender
Miss Mabel J. Carter
Miss Bertha V. Zeller
Miss Alice M. Blandforth
Miss Margaret R. Shedd
Miss Annie Louis Carroll
Miss Edith L. Tate
Miss Madeline Diers

And just imagine, all of them descended from the Salem witches (wink).

Sifting through some of the other Newspaper.com clippings from 1925 sheds little light on the Sunbonnet Women of America. They are first mentioned in early May and seem to be associated with the National Club of the Younger Business Women. That month, they were organizing "the first annual organdy dance of the Sunbonnet Women of America."

An October 9 article specifically mentions the "Washington branch of the Sunbonnet Women of America" and its meeting to discuss the upcoming Halloween dance. 

And that's pretty much it. How long did the organization last? Did it actually have branches in multiple cities? Were they really witches? Did they all vanish after the October 29 seance and summoning? 

Maybe we should do a new seance and try to contact "Sunbonnet Sue" for an eyewitness recap. Stuff like that always ends well in movies. 

Tuesday, October 15, 2024

The terror of AI image generation

Deep into the spooky season of Mild Fear 2024 seems like a good time to check in with one of this year's most existential horrors: artificial intelligence. It's fairly certain at this point that AI will lead directly to the the doom of civilization, if not the entire Earth. But while we passively wait for the apocalypse — whether it's from economic collapse spurred by AI, autonomous AI warfare or simply the AI servers swallowing up every available joule of energy on the planet — we can also just sit back and do stupid things with AI.

I asked AI, for example, to generate images of me writing a Papergreat post. So here they are:

My cats and I have no further comment. 

Monday, October 14, 2024

1978 Halloween movie marathon at MacArthur Drive-In in Orange, Texas

This newspaper advertisement (via Newspapers.com) was in the October 27, 1978, edition of The Orange Leader of Orange, Texas. It showcases a five-film Halloween movie lineup that was slated for the next night, Saturday, at the MacArthur Drive-In. It's an interesting slate that would have ended just a few hours before dawn, for those who stuck it out (or fell asleep in their cars).

Based upon movie lengths and allowing for about five-minute intermissions between movies, this is roughly when the movies would have started:

7:30 p.m. — The Legend of Boggy Creek (1972, PG)
9:05 p.m. — Return to Boggy Creek (1977, G)
10:35 p.m. — Nurse Sherri (1977, R)
12:10 a.m. — House of Psychotic Women (1976, R)
1:45 a.m. — The Mysterious Monsters (1975, G)
3:15 a.m. — It's over! Go home!

Children under age 12 were allowed to attend. I reckon the idea was that they'd have fallen asleep in the back seat by the time the R-rated films started, lest they see something that scars them for life.

The Legend of Boggy Creek is a super-low-budget, documentary-style horror film about an Arkansas cryptid that was fairly popular on the 1970s drive-in circuit. Parts of it served as an inspiration for The Blair Witch Project, decades later.

Its unauthorized sequel, Return to Boggy Creek, has nothing to do with the original and can barely be termed a horror movie. It's definitely the clunker of this MacArthur Drive-In lineup and was probably included because the licensing rights were dirt cheap. Of note, it features Gilligan's Island's Dawn Wells and Diff'rent Strokes' Dana Plato. One reviewer on IMDb called it "a movie that would make some Walt Disney movies look dark. Really, this movie was just a bunch of light fluff with virtually no boggy creek creature to be seen."

Nurse Sherri
has a rating of 3.8 out of 10 on IMDb, so it was no prize either. But, in attempting to follow in the footsteps of The Exorcist, it probably had enough shocks, blood and titillation to keep the adults awake and eating popcorn from the snack bar. It also features the horror of this sofa; imagine that on a huge drive-in screen.

At first I was confused in attempting to research House of Psychotic Women, because that's also the title of a 2012 memoir/film studies book written by Kier-La Janisse. It's also the title of a themed collection of movies that Severin and Janisse teamed up to release a few years ago. Then I figured out that House of Psychotic Women is the title of the edited American release of the 1974 Spanish horror film Blue Eyes of the Broken Doll, starring Paul Naschy. The American title served as the inspiration for Janisse's book title. Anyway ... Blue Eyes of the Broken Doll is definitely not a film you'd want your kids in the backseat to wake up during. They might catch an eyeful of eyeballs in a bowl of water, for one thing. 

Last up was The Mysterious Monsters. Its rating is incorrect in the advertisement. It's a G-rated documentary hosted by Peter Graves that discusses Bigfoot, the Loch Ness Monster and other popular 1970s cryptids. It's fairly well-regarded, as that genre goes, but I can't imagine it was keeping many people awake that deep into the witching hour. Maybe it should have replaced Return to Boggy Creek as the second movie! 

I'd love to program a Halloween movie marathon for a group of horror fans. I think it would be more fun at an indoor theater, with quality picture, quality sound and no worries about weather or bugs. Maybe, after some ruminating, I'll do a post later this month about what movies I would include in such a marathon. And I'd love to hear in the comments what your dream Halloween movie marathon would be!

But drive-in theaters represented a wonderful time in the history of movies, too. And they definitely helped to further the horror genre through the 1970s. There's a Facebook page devoted to memories of the MacArthur Drive-In in Orange, Texas. According to that page, the drive-in opened in 1950 and, in January 1983, "slipped into history like most drive-ins."