Saturday, October 26, 2024

Triad and Stevie and witches, oh my

Back at it on this lovely (if a bit too hot for October 26) Saturday afternoon in the desert. The haunts, horrors and hexes of October continue today with Mary Leader's 1973 supernatural novel Triad and its various associations, musical and mythological.

By the way, if you're thinking Papergreat has been too consistently unserious with all the ghosts and ghouls this month, please know that writing this blog, especially in this moment, represents my brief opportunity to take a timeout from the real world, which has real ghouls and ghastliness, a few times each week. It's my escapism, my stress-release valve, and it's typically unserious on purpose. It's a momentary respite from life in a nation where being transgender, undocumented, non-Caucasian or, in my case, a journalist puts an immense societal target on you.1 And heaven help you if you're more than one of those things at once. I cannot even imagine.

Deep breath.

So .... Triad!

I'm betting that a whole bunch of you already know the historic significance of this seemingly random 51-year-old novel, which was one of only two published by Mary Bartlet Leader (1918-2004).

That significance, in a nutshell: Around Halloween 1974, 26-year-old Stephanie Lynn Nicks read Triad and was struck, in particular, by one aspect of the haunting novel. Two months later, she and her then-boyfriend, Lindsey, joined a struggling band called Fleetwood Mac, which was seeking a spark. It got one! The band's next album, released the following summer, featured a hit single that new addition Stevie Nicks had written in a whirlwind, inspired by a certain uncommon name in Mary Leader's novel.

At Fleetwood Mac concerts, Lindsey Buckingham's guitar opens that song.

Then Nicks stepped to the microphone and announces, "This is a song about an old Welsh witch."

Then she begins: Rhiannon rings like a bell through the night...

Plotwise, there's almost nothing in common with the novel and the song lyrics. But that name, Rhiannon, and the supernatural elements within Triad, hung in Nicks' subconscious for weeks after she read it, waiting for the songwriter to put them to paper.

Piecing together some different interviews Nicks did in the mid-1970s, she explained, "I read the name ... [in] a novel and really liked it and thought, 'That's really a beautiful name.' Sat down, tap, tap, tap ... about 10 minutes later wrote Rhiannon."  And this: "So I wrote this song and made her into what I thought was an old Welsh witch. And then I had just, just found out — because somebody from Phoenix found a whole trilogy of books written in 1972 on Welsh mythology — that Rhiannon was a Welsh witch. ... Which is pretty weird because I never saw that. And yet the song is exactly about that. So it is ... just about a very mystical woman that finds it very, very hard to be tied down in any kind of way — and she's uplifting all through the song."

The "trilogy" mentioned is actually a series of four novels by Evangeline Walton (1907-1996)2. The novels — The Island of the Mighty, The Children of Llyr, The Song of Rhiannon and Prince of Annwn  —  are based on the Welsh legends known as the Mabinogion.

The best article I've read that gives the full history of "Rhiannon" was written by Bill DeMain and published in September 2023 on Louder. I think, as we all do with big events in our past, that Nicks has spent the decades recrafting the telling of the origin story, compared to what she might have said during interviews in the 1970s. Of Triad, she tells DeMain, "It was just a stupid little paperback that I found somewhere at somebody’s house, lying on the couch."3 The article is a great read, with allusions to bibliomancy4, birdsongs (very crucial for "Rhiannon"), and how Fleetwood Mac bandmates took the "skeleton" of her lyrics and built a fully-alive song around it. Nicks also discusses a "trippy" time visiting Evangeline Walton at her Rhiannon-themed home in Tucson, Arizona.

* * *

Let's circle back to Mary Leader's book, Triad, and its beautiful cover for the hardcover publication.
On Newspapers.com, I found a terrific article in the April 30, 1973, edition of the Herald-Times-Reporter of Manitowoc-Two Rivers, Wisconsin. (One of the two photos with the article is shown above.) Leader was a guest speaker at a library to discuss her book, and the article has details I haven't found anywhere else about Triad.

For one thing, that wasn't the original title! Leader had titled it The Elephant's Tail. But famed dust jacket designer Paul Bacon couldn't do anything with that, Leader said. So she suggested changing the title to Triad, which Bacon could work with. (Would Nicks have picked up a book titled The Elephant's Tail?) 

The novel had an interesting genesis, according to the article, which was written by Herald-Times-Reporter News Editor Marjorie Miley:
"Mrs. Leader didn't start out to write a novel. She was working on her thesis for a master's degree in English at the University of Wisconsin, Milwaukee. A course in Arthurian romance further developed her longtime interest in Celtic mythology. 'Celtic myths are fully as fascinating as Greek myths,' she stresses.

"Mrs. Leader had added a creative writing course to her schedule thinking she was better suited for fiction than scholarly writings.

"About this time in the pursuit of her degree, (which incidentally was granted) she was relaxing by watching a television show. 'It was one of those doctor things where someone has a psychological problem. I started doing some constructive dreaming (as opposed to dozing off) and the idea for Triad came to me ... The concept of the triple goddess. But my story would be a modern story.'"

In a 2017 review of Triad on Goodreads 2017, Julie wrote: "Even if it hadn’t experienced a kind of cult status, this story really is a rare gem. It’s not a very long book, but it’s filled with vivid imageries and is very well versed in Welsh mythologies. It is a very effective story, even for a jaded reader like me. I can imagine the impact it would have on readers in 1973. Once I started reading it, I found myself hypnotized by it. This is a moody, dark, atmospheric supernatural tale, that certainly stands the test of time."

Another Goodreads reviewer, Justin Glanville, makes mention of the novel's final sentence: "But one thing I do know — Rhiannon and I will meet again and again until someday, at some turn of the spiral, we will come together in our last struggle and I will win."

Sound familiar?
 
Will you ever win? is an oft-repeated verse in Nicks' "Rhiannon."

Witches — mythological, literary and musical — work in mysterious ways.

Footnotes
1. For example: At a presidential campaign rally two days ago, about an hour's drive from my house, the candidate said of journalists: “They are just bad people. And until we get a fair and free press in this country, they’re just bad people. ... They’re the enemy of the people. ... They are the enemy.” The crowd cheered American journalists being called "the enemy of the people."
2. Walton was featured in a 2017 Papergreat post about her novel Witch House.
3. And in other interviews over the years, Nicks has said she bought Triad in an airport, to read on a flight.
4. Since it's sitting right here, I practiced some bibliomancy with Triad. Letting fate choose a random page, I closed my eyes and placed my finger on a passage. It reads: "Before we go into that, I must tell you that you are probably basically a good person, conscientious to a fault, or you wouldn't suffer so much remorse."

Wednesday, October 23, 2024

The Crestwood House monster books

Stripe, with her spiffy bowtie, helps with today's post.
It's a happy coincidence that her colors match the Crestwood House books.

Full disclosure: When I was a kid, I wasn't too interested in the Crestwood House series of hardcover books that focused on the Universal Classic Monsters, Godzilla, King Kong and other iconic films. I was drawn more to the Contemporary Perspectives/Raintree books about paranormal phenomenon and cryptozoology, and, of course, Ruth Manning-Sanders' fairy tales books. Public school libraries had so much cool stuff! 

But now I see how awesome the Crestwood House books are, and they're also an incredible historic record of some foundational monster and science-fiction movies in U.S. film. I've picked up a few well-worn ex-library copies over the years, including Dracula and Frankenstein, with Bela and Boris on their covers.

Here are some representative memories about the series I've curated from all around the web:

From a Facebook post on the "Mid Century & Vintage Halloween" group:
  • "I credit the Godzilla book with making me a huge Godzilla fan as a kid. I used to check out that one all the time."
  • "I would look forward to library day, because of these!"
  • "OMG!!! These books taught me how to read!!!"
From a Reddit post earlier this year:
  • "My grade school library had most of them. I absolutely loved these books. Being the early to mid-eighties, these things were an absolute treasure."
  • "I loved these books. My elementary school library had them. Started my love of classic horror films."

There's a seven-page message board forum about Crestwood House books on the Universal Monster Army website. The first post was in December 2007 and the most recent one is from August 2012. In 2007, one poster wrote: "I was a librarian and teacher in another life, and had the Crestwood books on my shelves -- and they certainly were popular! I can't recall now if there was a different publisher or just a different 'line', but some were purple and some were orange. Maybe horror set vs sci fi set? I found the best info about them in UMA member Rick Stoner's MONSTER MAYHEM periodical."

A few posts later, the full Crestwood House monster series is listed. I'm sharing it here for posterity, hopefully to boost the ease with which people can find information about these beloved childhood books. But credit goes to that 2007 poster, who was reposting from an even older message board!

> Here's a list compiled by our very own Richard Olson from his article
> published in the Stoner's Monster Mayhem Fanzine (Series, publication
> release, ISBN and author):
>
> MONSTER SERIES (Orange Books):
> FRANKENSTEIN * Ian Thorne * 0-913940-73 * 1977
> DRACULA * Ian Thorne * 0-913940-74 * 1977
> GODZILLA * Ian Thorne * 0-913940-75 * 1977
> KING KONG * Ian Thorne * 0-913940-76 * 1977
> MAD SCIENTISTS * Ian Thorne * 0-913940-77 * 1977
> THE WOLF MAN * Ian Thorne * 0-913940-78 * 1977
> THE MUMMY * Ian Thorne * 0-89686-189 * 1981
> CREATURE FROM THE BLACK LAGOON * Ian Thorne * 0-89686-190 * 1981
> FRANKENSTEIN MEETS WOLFMAN * Ian Thorne * 0-89686-191 * 1981
> THE BLOB * Ian Thorne * 0-89686-215 * 1982
> IT CAME FROM OUTER SPACE * Ian Thorne * 0-89686-216 * 1982
> THE DEADLY MANTIS * Ian Thorne * 0-89686-217 * 1982
> THE INVISIBLE MAN * Ian Thorne * 0-89686-372 * 1986
> THE PHANTOM OF THE OPERA * Ian Thorne * 0-89686-373 * 1987
> MURDERS IN THE RUE MORGUE * Wm Sanford/Carl Green * 0-89686-374 * 1987
>
> MOVIE MONSTERS SERIES (Purple Books):
> BLACK FRIDAY * Wm Sanford/Carl Green * 0-89686-258 * 1985
> BRIDE OF FRANKENSTEIN * Wm Sanford/Carl Green * 0-89686-259 * 1985
> DRACULA'S DAUGHTER * Wm Sanford/Carl Green * 0-89686-260 * 1985
> GHOST OF FRANKENSTEIN * Wm Sanford/Carl Green * 0-89686-261 * 1985
> THE MOLE PEOPLE * Wm Sanford/Carl Green * 0-89686-262 * 1985
> THE RAVEN * Wm Sanford/Carl Green * 0-89686-263 * 1985
> TARANTULA * Wm Sanford/Carl Green * 0-89686-264 * 1985
> WEREWOLF OF LONDON * Wm Sanford/Carl Green * 0-89686-265 * 1985
> THE BLACK CAT * Wm Sanford/Carl Green * 0-89686-310 * 1987
> HOUSE OF FEAR * Wm Sanford/Carl Green * 0-89686-311 * 1986
> HOUSE OF THE SEVEN GABLES * Wm Sanford/Carl Green * 0-89686-312 * 1987
> REVENGE OF THE CREATURE * Wm Sanford/Carl Green * 0-89686-313 * 1986
>
> CRESTWOOD HOUSE/MCMILLIAN CHILDS GROUP "FILM SERIES"
> HORROR FILMS * Rhonda Nottridge * 0-89686-719 * 1992
>
> Maniacally,
>
> Rick
> Stoner's Monster Mayhem

If you want even more Crestwood House memories, check out this 2010 post on the Titans Terrors and Toys blog, and this 2008 post on the Cavalcade of Awesome blog. (I hope these blogs stick around forever; they are treasures.)

It seems appropriate to end this post with feral neighborhood cat Drac, aka Little Baby Dracula. 
She looks just like her sister Mercury, who lives with us.

Monday, October 21, 2024

Advertisements in the final 1960s issue of "Horror Monsters" magazine

Horror Monsters was published by Charlton Publications for 10 quarterly issues in the mid 1960s. This is a very ragged copy of the 10th and final issue, which is listed as Winter 1964-65.

The magazine was a competitor to Famous Monsters of Filmland and, ultimately, didn't seem to succeed in that endeavor. The monster market wasn't big enough for both of them.

Horror Monsters gave it the good college try, though. This final issue includes an extensive feature story about Vincent Price, photo-filled looks at Mario Bava's Black Sabbath (of my favorites) and Hammer's The Curse of Frankenstein, and a feature article about alleged true-life cases of vampirism throughout history. 

It also has cool advertisements aimed at an audience that was composed primarily of teenage boys. There are a decent number of ads, but they are from just a handful of companies — Cult of Horror, Victor Specialties and World Wide Specialties — which was likely another sign of the magazine's flagging viability. 

As you'll see, there is both a Do-It-Yourself Vampire Kit and a Do-It-Yourself Werewolf Kit. They cost $1 apiece and, while that's $10 in today's dollars, I can't imagine the package kids got back in the mail were too exciting. But maybe someone has happy memories of getting their kit.

Finally, this small advertisement, nestled among chattering teeth, a shark-tooth necklace and a plastic snake, made me smile. The Worry Bird was a minor phenomenon in the 1960s, though no one seems to know much about the official origins of the big-beaked, sad-eyed creature.

Sunday, October 20, 2024

Chilling prediction tucked away inside 1968's "Dwellers in Darkness"

I don't get to experience the pure delight of Tucked Away Inside items much anymore. It used to be one of my favorite things about sorting through boxes of used books to assess their viability for possible sale on Amazon.

But I recently picked up a used copy of the 1968 paperback Dwellers in the Darkness: The Enigma of the Supernatural, by John Macklin, and found an intriguing — and somewhat ominous — piece of paper folded up and tucked away inside. Weirdly, this is my second Macklin book this year that had something inside. Challenge to Reality, which I wrote about in January, still had its original receipt inside.

It's a long note, written in flowing, left-leaning cursive. As I worked my way through the whole message, I'll admit I started to get a feeling of minor dread in the pit of my stomach. I think we can guess this was written in 1968 or the early 1970s, at the latest. The book is pristine and clearly hasn't been handled much over the decades. 

Here's what the note states:
Brad
In his town where he will live, he will be hailed as a genius. Soon he would be found to be terribly conceited and they'll pay no attention to him. He will get poorer and poorer. Then a lady will come into his life, someone of nobility or royalty, and he will become rich. He will become powerful and somewhat evil or have a less extent of will applied to good ends. Nevertheless, he will have something to do with advances in education. Will grow more evil and when faced with charge of being too cruel or not doing much for something or another he will cancel it with a legal hearing, freeing him. Will receive more power, but will make mistakes and have disconnect with something important. Ill fortune — wife will die — but he will remarry and grow richer. He will lose position in gov. and go bankrupt. Will still have wife, but will be surrounded by false friends. Will live happily with wife.
Adding to the weirdness of this, the bottom-right portion of the sheet of paper has been torn off. Was something else written there?

I'll let you draw your own conclusions, as I'm sure some interesting ones formed in your mind while reading this — fortune? Prediction? Harmless outline for a character in an acting class or a writer's group? 

I ran it through a plagiarism checker and it came out as 100% unique, for whatever that's worth. And the text doesn't come up in any Google searches. 

There's also the added context that this was tucked away inside a book that states on the back cover: "These are the Dwellers in the Darkness — the people who seem to be just like you and me — but who are in reality, like nothing you have ever encountered."

And who is Brad?