Friday, October 23, 2026
Unsettling eBay listing of the day
Thursday, October 22, 2026
1990s mystery: Remember Horrorvision Video of Milford, Pa.?
Wednesday, October 21, 2026
Clarence Sinclair Bull
Halloween photo
After decades, my final mystery has been solved
"A man arrives at an inn that is (of course) in the middle of nowhere. He checks in alongside another new guest, a middle-aged woman. During the evening, the man meets a beautiful young woman, who is also staying at the inn. They eventually go back to his room for a romantic engagement and are in the midst of said engagement when the clock strikes midnight and the woman turns evil and attacks him. (I think maybe her eyes change somehow.) It turns out that everyone in the inn, except for the man and the middle-aged woman who checked in at the same time, are malevolent beings intent on killing the guests. In the mayhem, a fire erupts. The man tries to save the middle-aged woman but cannot, so he flees the burning building. The next morning, the man and a police officer he told his story to arrive at the site of the inn. But there's nothing there. No inn. No sign of fire. Just an empty field. But not entirely empty. The corpse of the middle-aged woman is there, among the tall grass. The end. ... I'm pretty sure this was an episode of a horror anthology series, like Tales from the Darkside or Hammer House of Horror. And I think it was a British production. I saw it circa 1984."
- A man arrives at an inn in the middle of nowhere. Correct.
- He checks in alongside another new guest, a middle-aged woman. Correct.
- He meets a beautiful young woman, who is also staying at the inn. Correct.
- They eventually go back to his room for a romantic engagement and are in the midst of said engagement when the clock strikes midnight and the woman turns evil and attacks him. (I think maybe her eyes change somehow.) Almost all correct, though there's no clock that strikes midnight.
- The inn is full of malevolent beings. Correct.
- The man tries to save the middle-aged woman but cannot. Correct.
- He flees the burning building. Partially correct. The building doesn't explode into flames (in stock footage) until he's exited. There was no money in the tiny budget for actual flames on the set.
- There's no inn and no sign of fire the next morning when the man returns with a police officer. Correct.
- All that's there is the corpse of the middle-aged woman. Correct!
- I think it was a British production. Incorrect!
Tuesday, October 20, 2026
Scholastic book: "Great Horror Movies"
- Title: Great Horror Movies
- Author: Favius Friedman (the copyright page states "F. Louis Friedman"). According to Sim Branaghan's 2018 article "Monsters Maidens and Mayhem: Horror Film History Books 1965-79 (Part 2)" for Film on Paper, Friedman lived from 1900 to 1990. Branaghan notes: "Friedman arrived in Hollywood in 1944 and worked as a prolific Tinseltown journalist for the next 25 years or so. ... By the end of the 60’s Friedman had switched to writing a sequence of young-adult paperbacks for Scholastic Corp, who enjoyed (and continue to enjoy) a vast readership due to their historic monopoly on US grade-school Book Club distribution. Friedman wrote at least six Scholastic titles."
- Cover photo: That's Lon Chaney Jr. in Jack Pierce's chilling makeup for 1941's The Wolf Man.
- Back cover excerpt: "Do you stay up all night to watch horror flicks on the late late show? Are you first in line when reruns of old monster movies come to your neighborhood? If so, this book's for you. Fantastic and fabulous facts and figures about 70 of the world's most famous horror and monster movies."
- Publisher: Scholastic Book Services (TK 2408)
- Cover price: None listed.
- Year: First printing, February 1974
- Format: Paperback
- Pages: 160
- Friedman's dedication: "This book is for Maxie, Karie and Im, Cordalie, and Anna Francesca."
- Friedman's acknowledgments: In a passage written in March 1973 and included in the book, Friedman gives credit to Carlos Clarens' An Illustrated History of the Horror Film; Peter Underwood's book Boris Karloff; Focus on the Horror Film, edited by Roy Huss and T.J. Ross; Focus on the Science Fiction Film, edited by William Johnson; Science Fiction in the Cinema by John Baxter; and friends Roger Corman, Julian Myers, and Mildred Simpson.
- Excerpt from the introduction: "Just how popular the movie King Kong has been over the years can be judged by what happened during a certain week in March 1955. Executives at a top television station in New York, WOR-TV, decided to try an experiment. They would program the 1933 film King Kong — then 22 years old — for seven evenings in a row, or a total of 16 consecutive showings (two a night and three over the weekend). The movie ran every night, all through that week of March 1955. Rival TV station managers are probably still in shock. That ancient horror flick, all but derided as "a silly trick epic" at its initial New York theatre showing, actually had more people watching it on television than sat through Ed Sullivan, Groucho Marx, and Bishop Fulton Sheen!"
- Small correction: Friedman has the other details right, but the year wrong. The 16 showings of King Kong were on WOR-TV from March 5-11, 1956.
- Films included in Great Horror Movies: There are about 70 of them summarized by Friedman! You can guess a lot of the obvious ones: The Birds, Frankenstein, The Bride of Frankenstein, Dracula, The Cabinet of Dr. Caligari, The Haunting, The Innocents, King Kong, etc. There's a big emphasis on science fiction, with War of the Worlds, Planet of the Apes, Journey to the Center of the Earth, Forbidden Planet and Fahrenheit 451, among others. Both Val Lewton's Cat People and Curse of the Cat People (one of my Christmas favorites) are included. Among the most interesting, or outright bizarre, inclusions are Bigger Than Life (1956, with James Mason), Bobbikins (1959), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), The Ghost Goes West (1935), The Boy with Green Hair (1948), The Mind Benders (1963), The Power (1968), and 7 Faces of Dr. Lao (1964).
- Rating on Goodreads: 4.0 stars (out of 5)
- Goodreads review excerpt: In 2021, Kirby Davis wrote: "I reread it now to study how my language appreciation has changed (it's interesting to find prose referring to Bette Davis and Vincent Price in the present tense), to count how many of these films I have actually watched over the last half-century, to reflect on how horror films have changed over that time, and to ponder how these films (and my appreciation for them) impacted my character. ... Even though Friedman's tome now covers but the first half of Hollywood's existence, the book provides insightful commentary on the state of the art up to that time and makes good recommendations on what to see."
- Rating on Amazon: 3.6 stars (out of 5)
- Amazon review excerpt: In 2016, Walter Solley wrote: "Friedman writes about this genre with obvious affection and his attitude is infectious. This book leaves you wanting to watch each of these great movies."
- More from Sim Branaghan: In the aforementioned Film on Paper article, Branaghan notes: "The treatment is tersely serious and the historical detail impressive — Friedman is very good at digging out the telling backstage anecdote or box-office snippet. Each film gets a one/two page analysis with cast and credits appended, occasionally followed by a brief overview of themed follow-ups. The oldest film discussed is Caligari (including some shrewd detail on its New York premiere) and the most recent Planet of the Apes. Hammer doesn’t appear (apart from The Nanny), but this is a far from conservative selection with some notably unusual choices."
Monday, October 19, 2026
Typos and a big spoiler on VHS cover of "Night of the Living Dead"
Mostly, I added it because it's hilarious in its audacity.
It's Congress Video Group's 1986 public-domain VHS release of George Romero's 1968 zombie classic Night of the Living Dead.
Spoilers ahead!
The image on the front cover shows one of the very final moments of the film: Ben (Duane Jones), the main character, is being tossed into a bonfire after being mistaken for a ghoul and shot by a law enforcement posse. It's a grim and powerful moment in a visceral horror movie that eschews a cathartic ending.
Congress Video Group doubles down on the spoiler with this text on the back cover of the VHS box:
"Possibly the greatest low-budget film of all time filled with non-stop action. From the opening sequence, in which Judith O'Dea is terrorized by the first living corpse in the twilight cemetery, to the last slow dissolves and pans of still pictures, depicting the hero's death, the film is filled with ghoulish undertow that pauses only now and then on the thread-line to reality."Maybe I'm overreacting. But I feel like, especially in 1986, there would have been plenty of potential viewers who didn't know how the film ended.
Circling back to that (now spoiled) ending for a moment, actor Jones deserves some of the credit for how stark it was.
"I convinced George that the Black community would rather see me dead than saved, after all that had gone on, in a corny and symbolically confusing way," Jones said. "The heroes never die in American movies. The jolt of that, and the double jolt of the hero being Black seemed like a double-barreled whammy." [via SlashFilm, originally from The Wrap]
Jones, meanwhile, is disrespected by this VHS sleeve, which spells his name incorrectly as "Duanne Jones."
Judith O'Dea's name is spelled correctly. But there's another typo when Russell Streiner (Johnny, aka "They're coming to get you, Barbara" guy) is spelled as "Russel Streiner" in multiple places.
Romero receives no credit anywhere in the packaging.
According to the PD Video Wiki, Congress Video Group was founded as Memory Lane Video in 1984. The name change to Congress Video Group occurred in 1985. The company's assets were sold to Allied Film & Video Services in 1988 and Congress ceased operations in 1991. The wiki states that "Congress' tapes were of high quality," though that quality control apparently didn't extend to proofreading the packaging.
"Breaking" boulder news from New Hampshire
Sunday, October 18, 2026
Tucson: 2 Little Free Libraries and an air traffic control tower
Finally, here's my shot of Tucson International Airport's old air traffic control tower from this morning. It opened in 1958, was "retired" in 2016 and is now being used for administrative offices. It's not far from another interesting aviation attraction in Tucson: the Boneyard, officially known as the U.S. Air Force's 309th Aerospace Maintenance and Regeneration Group. That's not to be the confused with the Pinal County Air Park, which is a boneyard for commerical aviation north of Tucson.




























