Showing posts with label Great Links. Show all posts
Showing posts with label Great Links. Show all posts

Saturday, March 1, 2025

Great links: Czech poster for Disney's "That Darn Cat!"

I love posters showing how one country interprets and markets another country's film. Along those lines, over the years, I've showcased the Polish poster for Terror of Mechagodzilla; the Spanish poster for Gamera; and the Cuban poster for the Japanese film Lake of Tears, among others.

Tonight, we have the Czech poster designed by Eva Galova-Vodrazkova for the 1965 Walt Disney live action film That Darn Cat! It's focused on the cat and is entirely uninterested in the presence of Haley Mills, Dean Jones, Roddy McDowall or The Bride of Frankenstein's Elsa Lanchester in the film.

Somehow, I don't think I've ever seen That Darn Cat! And it looks like a lot of fun. The Disney cat movie I have more recollection of from my youth is 1978's The Cat from Outer Space, which also features Roddy McDowall. 

Anyway, this poster was featured in "Cats in Czech and Polish Movie Posters," a 2016 post by Adrian Curry on Mubi's website. It's a fun and colorful post, and well worth checking out.

Speaking of Disney's live-action films of the 20th century, also well worth checking out is a series of posts by Jeff Gibson at The Gibson Review, assessing and ranking those Disney films of the 1950s, 1960s, 1970s and 1980s. It got me thinking about what Disney live-action films of that era I most enjoy and which ones I want to track down and watch for the first time. 

If you asked me when I was a kid, I'd have said my favorite was Pete's Dragon (which is kind of a cheat, because it's a mixture of live action and animation). But while that film is a lot of fun (especially Shelley Winters, Jim Dale and Red Buttons), it's uneven and tries too hard to be a musical spectacle. And it's overlong, as Gibson points out.

So, looking back, the film I thoroughly enjoyed as a kid that holds up very well today is Candleshoe, a 1977 film with Jodie Foster, Helen Hayes, David Niven and a rambling old mansion full of secrets that require more brains than brawn to solve.

With some help from Gibson's lists (which generally encompass only the films available for streaming on Disney+), here is my personal list of Disney live-action films that I either love or want to track down for a first watch:

  • Darby O'Gill and the Little People (1959)
  • The Parent Trap (1961)
  • The Moon-Spinners (1964)
  • Mary Poppins (1964)
  • That Darn Cat! (1965)
  • Blackbeard's Ghost (1968)
  • No Deposit, No Return (1976)*
  • Pete's Dragon (1977)
  • Candleshoe (1977)
  • The North Avenue Irregulars (1979)
  • The Watcher in the Woods (1980)
  • Return to Oz (1985)

*-Though I haven't seen it in nearly 50 years and I have no idea how the wacky child kidnapping humor holds up.
 

Wednesday, December 11, 2024

Curating nostalgic memories of WKBS-48

The Joe Oteri Show originated in Boston and was syndicated to WKBS-48. This advertisement is from 1979. 
Oteri, a prominent defense attorney and larger-than-life character, died in 2020.

I wrote a short post in 2019 about my memories of watching various shows and movies on WKBS-TV, Channel 48, when we lived in Clayton, New Jersey, from 1978 to 1980. The station signed off for good on August 30, 1983, more than 40 years ago. But I'm far from the only one who has happy memories of watching Channel 48 "back in the day."

WKBS-TV comes up frequently as a topic on message boards and in Facebook groups (there's even a group with more than 2,000 members devoted specifically to memories of the channel).

For fun and posterity, I thought I'd gather some internet memories of folks who used to watch Channel 48, including some that align with my childhood experience.
  • "Fond memories of the Abbott and Costello movie every Sunday at 12 noon."
  • "Getting those UHF stations to tune in clear enough, in the outlying suburbs, with a stationary rooftop antenna, was tricky to say the least!"
  • "I can't believe no one has mentioned Star Trek. 48 played a part in bringing Trek back from the dead even if they were only showing old reruns. Some episodes were fresh and nostalgic at the same time. I've read that Trek's popularity in reruns and Star Wars' success helped get the ball rolling on making the first Trek movie."
  • "I'm old enough to remember the Roller Derby broadcast on Sunday nights in the 1960s!"
  • "48 was also famous for showing old movies on Sundays. I watched a lot of old detective movies along with the Bowery Boys."
  • "Captain Philadelphia….great show with Stu Nahan as the Captain"
  • "No disrespect to channels 17 & 29, who each had awesome cartoons, but growing up with a tv antenna on the home, channel 48 had the best over-all package."
  • "I remember my brother and I watching The Honeymooners and Night Gallery late at night on 48!"
  • "I remember seeing listings for Channel 48, but it BARELY could be picked up at our house in Lancaster County. The local Christian station, Channel 49 was too strong"
  • "Dickory Doc, played by Aldo Farnese, was on at noon on Channel 48 and showed cartoons to the school kids who came home for lunch. Aldo was also a TV cameraman who worked local professional games."
  • "Yes! Battle of the Planets for life! This channel was before its time. Rest in Peace."
  • "It was my favorite. It had Creature Double Feature, which started my love of horror movies."
  • "Star Blazers!"
  • "This is where I got my first exposure to 'Star Trek.' Never saw the show first-run, maybe I saw one episode, but that was all. I started watching the show regularly when it went into syndication. My eighth-grade English teacher used to imitate Spock ... and I had no idea who the guy was imitating. He got insulted when I showed no reaction to his 'fascinating' and 'Indeed' comments. As a result, I was disliked by him because I had no idea who Spock was."
  • "Kimba The White Lion followed by Ultraman."
  • "I still remember my Dad coming home one night and called all 'the kids' into the room. He said 'watch this,' and produced something that looked liked a coat hanger formed into a circle, attached it to the back of the tv, and — ta da! — 3 new channels, one of which was Channel 48"
  • "Watched a lot of Godzilla movies on that channel back then and among other horror movies"
  • "While the other kids were outside playing ball and such on a Saturday afternoon, I would hole up inside and watch Creature Double Feature every week ... it gave me nightmares. Everything looks like obvious kitsch-schlock-cheese .... but the HAND is real. And THAT was a whole different level of weird. Still IS, actually."
  • "I too was a big Brady Bunch fan and watched on Channel 48. My kid was shocked when I told her that the TV stations would play the national anthem and would shut down for the night."
  • "Channel 48 was a great indy: they had the best library of classic movies that you now see on Turner Classic Movies. Former WWDB and WCAU talk-show host Bernie Herman hosted the one o'clock movie. Great kids shows like Captain Philadelphia, Dickory Doc, etc., and home to Star Trek. They were also the first tv home of the Philadelphia Flyers."
  • "I was so sad when Channel 48 was taken off the air. Don't laugh at me everybody, but I still put it on Channel 48 just to see if there's another station that took its place. I know, it's crazy."

For more on the history of WKBS-TV, check out the excellent posts on Broadcast Pioneers of Philadelphia and Flapper Press (by John C. Alsedek).

Sunday, December 1, 2024

RIP Jim Lewin: a wonderful bookseller, writer and human being

2018 photo of sales counter at the York Emporium (Chris Otto); inset: Jim Lewin (The York Dispatch)

Last week was a sad one, as we learned that Jim Lewin, longtime owner of the York Emporium, the best used bookstore in York, Pennsylvania, died on Nov. 26. Jim was a family friend, a tremendous writer and a compassionate human being who put his heart and no small amount of elbow grease into making the Emporium one of the very best spots in southcentral Pennsylvania for book lovers (and those seeking out oddball treasures). Jim owned the Emporium for nearly 20 years before selling it and retiring this past April.

Mike Argento, a colleague of mine when I worked at the York Daily Record, wrote a terrific profile of Jim and the store's history when Jim retired. It's the best piece to read for Jim's full story and to learn how Jim and his store became York institutions. Argento writes: "The store’s eclecticism reflects Jim’s own. He loves books and reads widely. One of his benchmarks for a good used bookstore, and one of the benchmarks of his own store, is that someone can wander in and find a book they never knew existed. ... Some things he just did for himself. He started a jam session that features bluegrass, folk and blues every Sunday afternoon, a slow business day, 'because I got tired of being here all alone.' ... Over the years, Jim introduced special events – 'being mercenary,' is how he put it – to make the Emporium a part of the fabric of York’s culture. He’s had events celebrating literary genres, from sci-fi to horror to romance to mystery, and hosted concerts and the aforementioned jam sessions."

To me, Sundays were one of the best days to go to the Emporium. I hate just sitting around, waiting for the week to start. What better way to pass an afternoon than perusing bookshelves? 

Our family went to the store regularly over many, many years. Jim, usually stationed just inside the door, would greet us all by name and ask what was new. Our house remains filled with books purchased at the Emporium. Ash essentially grew up with it as his primary bookstore. While we were memorializing Jim last week upon hearing of his passing, Ash talked extensively of his love for Jim and the store. He noted two important things: 1. You never went into the Emporium looking for a specific thing; unexpected treasures would find you. 2. The passage of time was different when you were inside the Emporium. Two or even three hours might go by as if in a happy dream of endlessly going through mazes of shelves with the wonderful smell of books. It was the timeslip that Jim built.

I've specifically mentioned the Emporium in about three dozen posts over the years. And if I'd been transparently detailing the source of every book I've written about, Jim's Emporium is the source of another fifty or more posts. When Papergreat was in its first year of existence, Jim generously gifted me an 1897 program for the York Opera House that I turned into a two-part post.

Here are two pictures I took inside the Emporium during separate visits in 2018. The first shows a silhouetted Ash browsing the shelves. The second shows some of the eclectic decorations that filled the store. Jim was a huge fan of Star Trek.
In addition to being an bookseller, Jim was also an author. His books include Lines of Contention: Political Cartoons of the Civil War; How to Feed an Army: Recipes and Lore from the Front Lines; How to Tell a Secret: Tips, Tricks & Techniques for Breaking Codes & Conveying Covert Information; and How to Party Like It's 1899.

And from 2008 to 2013, while he was also juggling the daily business of managing the Emporium, Jim wrote more than 50 posts for his blog Book Flaps (subtitled "Musings of a smalltime book peddler"). It's a great peek inside the business and it displays the wonderful writing touch Jim had. As you know, I worry about the permanence of the internet and I don't know how long Book Flaps may continue to be online. I want to share Jim's final blog post, from September 2013, in its entirety. It takes on a new poignance with Jim's passing:
Treasure

    I was on my knees this past Tuesday afternoon, painting (and cursing) an old bookcase that obstinately refused to be anything close to useful. I happened to glance up and saw her standing there, silently, watching me.
   “He’s gone.”
   The shop was closed. It always is on Tuesdays. But I had left the front door unlocked, because you never know who is going to wander in. Obviously, today was her day. She had let herself in and found me there, paint-spattered, on my knees and gently damning this inoffensive piece of furniture.
  “Sunday afternoon. He died in his sleep.”
  I let out a groan and got to my feet. I didn’t really know what to say.
  They were an older couple (“older” being a relative term as I close in on that realm myself); maybe mid-80s. I don’t think I ever got their names. But they had been coming into the shop on a more-or-less regular basis for two or three years now. I’d see them every month or two.
  It was always he who bought the books. He’d walk around and look in several areas, but he would always find his way to the same spot; the same books. He would delve into our Treasure Chest.
   The Treasure Chest is really just an old trunk that I found in one of the storage rooms shortly after we took over the place. The handles are missing. What hardware that is left on it is rusted. It certainly doesn’t lock ,and it really is pretty well beat up. Its glory days are long past.
    For the first year or two we were operating the store, I would drag it around, trying to find a spot where it might fit. But nothing seemed to work. It wasn’t tall enough to be a display stand. It was too rickety for a table of any sort. And while it did have a certain texture and charm (as in, “I’ll-bet-that-was-really-something-in-its-day” way), it was now, simply, in the way.
    Until, that is, we re-worked our paperback fiction area two years ago. Suddenly, and unexpectedly, there was a spot. And! There was a function: older, series paperbacks. They were the sort of paperbacks that few wanted; that wouldn’t command high dollars, or any dollars at all actually. But we had a lot of them left over from the previous owners.
    Don Pendelton’s The Executioner series (more than 700 individual titles so far), Able Team, Phoenix Force and Stoney Man. Also the Nick Carter — Killmaster series (250+ titles) and the like. The main characters are all clean cut, square-jawed and handy with both guns and women. Mostly women. The books all contain plenty of bad guys, too. But they’re pretty disposable.
    We probably had two hundred, or more, of these books when we took over. So we tossed them all into that old trunk and slapped a sign on it, dubbing it our “Treasure Chest.” All books found therein are 50¢.
    We don’t sell a lot out of it, perhaps $5 or $6 a month on average. But its fun, and it fills a niche. And it doesn’t eat much, so we keep it.
    I wiped the paint from my hands and took a step closer to her, preparing to give her a hug. But she wasn’t interested in that. In fact, she wasn’t interested in me, or what I had to say, at all.
   "The last group of books that he got here are still in the bag. They’re on his night stand,” she said.
   I just stood there and looked at her. I still hadn’t said anything.
   “I want to go to the Treasure Chest,” she said. “I want to visit with him there for a minute.”
   She didn’t ask permission. She didn’t say another word. She just went back to the Treasure Chest and spent some quality time there. I don’t think she was interested in the books.
  A little earlier tonight as I walked past, I noticed that our Treasure Chest is starting to look a little empty. And that’s not right.
   I need to start looking for more of The Executioner.
   It’s important.

* * *

I could go on with stories about Jim and the Emporium. But I also realize that so much of Papergreat stands as on ongoing kind of tribute to the man and the place. The books and ephemera I've written about, the rabbit-hole inquisitiveness and the passion for the obscure and esoteric: they're all reflections of the physical bookstore in downtown York that Jim lovingly created starting on Jan. 1, 2005. 

I do want to conclude by noting that, as the United States got crueler and dumber in the past decade, Jim wasn't shy about standing up for what's right. He did this until the very end. Below are a few of his final Facebook posts, and they speak to the man he was. Rest in peace, Jim. We'll keep reading, learning and trying.

Sunday, November 24, 2024

Ralph Senensky's insights on the history of directing TV shows

Ashar and I have been leisurely, over a few years, making our way through the three seasons of the early 1970s supernatural anthology TV show "Night Gallery" — Rod Serling's followup to "The Twilight Zone." Last night we watched the episode "The Miracle at Camafeo / The Ghost of Sorworth Place," with the latter tale starring Richard Kiley and Jill Ireland, who are pictured above in some beautiful Bava-esque lighting. (The screen grab doesn't do it justice; seek out the blu-ray.)

Typically after watching something, I go down internet rabbit holes to learn more. Both of the segments in this episode were directed by Ralph Senensky. He had a long and remarkable career as a television director — and he's spent the years of his retirement blogging about his memories and insights from that time. Oh, and he's 101 now.1

Senensky is perhaps best known for directing a dozen episodes of "The Waltons"2 and six episodes of the original series of "Star Trek." But his resume of directing credits is a grand tour through the history of television from the early 1960s through the mid 1980s. His credits include episodes of "Dr. Kildare," "Route 66," "The Twilight Zone," "The Fugitive," "The Big Valley," "The Wild Wild West," "The F.B.I.," "Mission Impossible," "Mannix," "The Partridge Family," "James at 16," "Eight Is Enough," "Lou Grant," "Dynasty" and much more.

And he's documented almost all of it. As history, its value is immense.

He wrote a Blogspot blog (same platform as Papergreat) called Ralph's Trek that can be found at ralph-senensky.blogspot.com. And there's Senensky.com, aka Ralph's Cinema Trek, which organizes his past posts and has provided a home for his more recent writing. He's also still active on Facebook. Amazing.

Unsurprisingly, it's Senensky's memories of and association with "Star Trek" that garner him the most attention — he even attended a convention this year. But having just read a handful of his blog posts thus far, I find they're all filled with fascinating detail, wisdom and anecdotes about how television productions were brought to life decades ago. I look forward to reading many more of them.

I'm writing this because I hope that more people discover Senensky's blog posts, and because I hope they will be preserved in book form (or at least through printouts). To paraphrase something I read recently on X, the internet is not forever, and we must aggressively support the archiving of online material we're passionate about.3 Some experts, not alarmists, believe that as much as 80% of global digital content could disappear within the next decade or so.4

 I'll close with an excerpt from one of Senensky's posts. It's an amusing anecdote about an episode of "The Waltons" titled "The Gift":
"They let me have a big crane for the Franklyn Canyon shoot. I loved crane shots that boomed down, but cranes were also a time saver when filming on rolling terrain like in the canyon. It was easier to move the crane from setup to setup than rolling the crab dolly over the rough ground. There was a lesson concerning the crane that had been drilled into me from the first time I used one on MGM’s backlot when filming the opening sequence of JOHNNY TEMPLE on DR. KILDARE. When I was checking a setup, seated on the crane in the assistant cameraman’s seat alongside the camera operator, I was warned when it came time to dismount not to do so until the assistant cameraman was ready to take my place. Because of the counterweights if I were to jump off too soon, the camera end of the crane would fly up into the air and act as a catapult that would hurl the camera operator off into space. In my twenty-six years I never lost a camera operator that way."
That's just one of the many, many gems within Senensky's reminiscences. May they live on for future readers and scholars.

Footnotes
1. Fun connection: Another "Night Gallery" we watched in the past week featured Norman Lloyd, who I've mentioned often on Papergreat and lived to age 106.
2. Syndicated columnist Tom Purcell recently wrote a piece about his fond memories of watching "The Waltons" with his family in the 1970s. An excerpt:
"Every Thursday, after dinner, my father and I boarded our Plymouth Fury station wagon and headed to the Del Farm grocery store located in a small suburban plaza one mile from our home. ... He’d buy a box of Del Farm’s freshly baked oatmeal and chocolate chip cookies and a bag of Snyder of Berlin potato chips, onion dip (my mother’s favorite) and a wooden case of Regent soda pop. When we finally pulled the loaded-down station wagon into the garage, everyone in the house was alerted and the massive unloading process began. We usually got everything packed away by 8 p.m., just in time to turn on 'The Waltons.' I’d bring a bowl of ice to the family room, open some bottles of Regent soda pop, pour the Snyder of Berlin chips into a couple of bowls and soon my sisters, parents and I would be enjoying the newest episode of one of our family’s must-see shows."

3. By the way, I'm no longer on X. You can guess why. You can find me, as Papergreat, over on Blue Sky now (@papergreat.bsky.social).

4. I have a hard copy of every Papergreat post through mid-July 2023 and will be catching up with the more recent posts soon.

Wednesday, October 23, 2024

The Crestwood House monster books

Stripe, with her spiffy bowtie, helps with today's post.
It's a happy coincidence that her colors match the Crestwood House books.

Full disclosure: When I was a kid, I wasn't too interested in the Crestwood House series of hardcover books that focused on the Universal Classic Monsters, Godzilla, King Kong and other iconic films. I was drawn more to the Contemporary Perspectives/Raintree books about paranormal phenomenon and cryptozoology, and, of course, Ruth Manning-Sanders' fairy tales books. Public school libraries had so much cool stuff! 

But now I see how awesome the Crestwood House books are, and they're also an incredible historic record of some foundational monster and science-fiction movies in U.S. film. I've picked up a few well-worn ex-library copies over the years, including Dracula and Frankenstein, with Bela and Boris on their covers.

Here are some representative memories about the series I've curated from all around the web:

From a Facebook post on the "Mid Century & Vintage Halloween" group:
  • "I credit the Godzilla book with making me a huge Godzilla fan as a kid. I used to check out that one all the time."
  • "I would look forward to library day, because of these!"
  • "OMG!!! These books taught me how to read!!!"
From a Reddit post earlier this year:
  • "My grade school library had most of them. I absolutely loved these books. Being the early to mid-eighties, these things were an absolute treasure."
  • "I loved these books. My elementary school library had them. Started my love of classic horror films."

There's a seven-page message board forum about Crestwood House books on the Universal Monster Army website. The first post was in December 2007 and the most recent one is from August 2012. In 2007, one poster wrote: "I was a librarian and teacher in another life, and had the Crestwood books on my shelves -- and they certainly were popular! I can't recall now if there was a different publisher or just a different 'line', but some were purple and some were orange. Maybe horror set vs sci fi set? I found the best info about them in UMA member Rick Stoner's MONSTER MAYHEM periodical."

A few posts later, the full Crestwood House monster series is listed. I'm sharing it here for posterity, hopefully to boost the ease with which people can find information about these beloved childhood books. But credit goes to that 2007 poster, who was reposting from an even older message board!

> Here's a list compiled by our very own Richard Olson from his article
> published in the Stoner's Monster Mayhem Fanzine (Series, publication
> release, ISBN and author):
>
> MONSTER SERIES (Orange Books):
> FRANKENSTEIN * Ian Thorne * 0-913940-73 * 1977
> DRACULA * Ian Thorne * 0-913940-74 * 1977
> GODZILLA * Ian Thorne * 0-913940-75 * 1977
> KING KONG * Ian Thorne * 0-913940-76 * 1977
> MAD SCIENTISTS * Ian Thorne * 0-913940-77 * 1977
> THE WOLF MAN * Ian Thorne * 0-913940-78 * 1977
> THE MUMMY * Ian Thorne * 0-89686-189 * 1981
> CREATURE FROM THE BLACK LAGOON * Ian Thorne * 0-89686-190 * 1981
> FRANKENSTEIN MEETS WOLFMAN * Ian Thorne * 0-89686-191 * 1981
> THE BLOB * Ian Thorne * 0-89686-215 * 1982
> IT CAME FROM OUTER SPACE * Ian Thorne * 0-89686-216 * 1982
> THE DEADLY MANTIS * Ian Thorne * 0-89686-217 * 1982
> THE INVISIBLE MAN * Ian Thorne * 0-89686-372 * 1986
> THE PHANTOM OF THE OPERA * Ian Thorne * 0-89686-373 * 1987
> MURDERS IN THE RUE MORGUE * Wm Sanford/Carl Green * 0-89686-374 * 1987
>
> MOVIE MONSTERS SERIES (Purple Books):
> BLACK FRIDAY * Wm Sanford/Carl Green * 0-89686-258 * 1985
> BRIDE OF FRANKENSTEIN * Wm Sanford/Carl Green * 0-89686-259 * 1985
> DRACULA'S DAUGHTER * Wm Sanford/Carl Green * 0-89686-260 * 1985
> GHOST OF FRANKENSTEIN * Wm Sanford/Carl Green * 0-89686-261 * 1985
> THE MOLE PEOPLE * Wm Sanford/Carl Green * 0-89686-262 * 1985
> THE RAVEN * Wm Sanford/Carl Green * 0-89686-263 * 1985
> TARANTULA * Wm Sanford/Carl Green * 0-89686-264 * 1985
> WEREWOLF OF LONDON * Wm Sanford/Carl Green * 0-89686-265 * 1985
> THE BLACK CAT * Wm Sanford/Carl Green * 0-89686-310 * 1987
> HOUSE OF FEAR * Wm Sanford/Carl Green * 0-89686-311 * 1986
> HOUSE OF THE SEVEN GABLES * Wm Sanford/Carl Green * 0-89686-312 * 1987
> REVENGE OF THE CREATURE * Wm Sanford/Carl Green * 0-89686-313 * 1986
>
> CRESTWOOD HOUSE/MCMILLIAN CHILDS GROUP "FILM SERIES"
> HORROR FILMS * Rhonda Nottridge * 0-89686-719 * 1992
>
> Maniacally,
>
> Rick
> Stoner's Monster Mayhem

If you want even more Crestwood House memories, check out this 2010 post on the Titans Terrors and Toys blog, and this 2008 post on the Cavalcade of Awesome blog. (I hope these blogs stick around forever; they are treasures.)

It seems appropriate to end this post with feral neighborhood cat Drac, aka Little Baby Dracula. 
She looks just like her sister Mercury, who lives with us.

Sunday, May 12, 2024

Sunday evening miscellany

1. Here's a photo of me in my dorm room at Penn State University in October 1992 — 31½ years ago (yikes). I'm not sure of the reason for that expression on my face. Turtlenecks and sweaters were part of my wardrobe for a long, long time, but they are obviously a thing of the past now that I live in the Arizona desert. That's a MicroFridge behind me. According to a September 1990 article in The Daily Collegian (the student newspaper I worked at for four years), the MicroFridges were first offered that year to seniors and graduate students for $32 per semester. They were subsequently offered to underclassmen. The units weighed 87 pounds and saved power by turning the refrigerator off when the microwave is in use. In the background is my very messy desk, with my USFL Philadelphia Stars cap hanging from the lamp.

2. The Guardian last week had an article about all the interesting things Jonny Greenwood is involved with, including the score for the new Paul Thomas Anderson film that will come out on IMAX in the summer of 2025. Greenwood's love of music and instruments is contagious. At one point he had an opportunity to examine some of the oldest church organs in Europe, and his passion for the topic just pours through in this quote:
“I was able to actually play some of these amazing medieval instruments. The internal parts — what they call the ‘brain’ — are these incredibly complex pieces of technology. These huge machines, created centuries ago, were tackling the same challenges of synthesis and sampling and sound reproduction that we struggle with today. ... I love the idea that these ancient churches have centuries of sounds that have almost soaked into the walls and the organ pipes. Just looking around those Italian churches, you saw organs that summon up remarkable histories. Some of them have double sets of black keys, so the F sharp and the G flat keys are slightly different — as it would be in natural temperament. Some have keys which play percussion. One church in Comunanza, near the Sibillini mountains, has an organ with a little water tank that enables the organist to make this burbling noise that imitates birdsong. There was another church where Mozart is supposed to have visited and played the organ, so we were all rubbing the keys excitedly! Every church organ on Earth will have years of history embedded in it.”

3. I recently stumbled upon the existence of this nine-book 1970s Dracula series by Robert Lory. (And he published all nine books within three years!) Mostly, I think everything about the covers is amazing. Has anyone read these? How are they? A 2022 post on the website Fonts in Use by Florian Hardwig shows the covers in all their glory and indicates that the titles are done in Quaint Roman, a font that dates to 1890. 

There are plenty of (spoiler-filled) reviews out there on Amazon, Goodreads, Reddit and various blogs, if you want to know more about the series, which sounds like it's a lot of fun if you don't take it too seriously.

I like the 2011 post on the My Monster Memories blog, which may be in danger of becoming a Lost Corner of the Internet. Frederick writes: 

"My grandma's house was a few miles from a small bookstore called Bill's on Ingleside Ave in Macon, GA. As a young teen, when visiting her house on the weekend, I would sometimes walk the distance to look for the latest issue of The Monster Times or other cool magazines. After all, they had a better selection than the closer-to-home drugstore where I usually went. One summer, in 1973, I came upon the first in the Dracula Horror Series titled 'Dracula Returns,' and had read it nearly halfway through on the walk back to her house. It's a wonder I made it without getting run over, but I was pretty good at walking and reading. I still recall exactly where I was in the book at particular points as I walked home, passing under the oaks draped with spanish moss, blowing in the faint breeze."

These books are precisely the kind of treasures I go looking for when I have the opportunity to spend an afternoon in a used book store.

4. Finally, enjoy this photo of four cats tucked into a cat bed (from top: Spice, Autumn, Nebula and Bounds, aka Osmond Portifoy) ... 

Monday, January 8, 2024

Spacing out with Brad Steiger in Switzerland

While researching the post about Brad Steiger's Strangers from the Skies last summer, I came across a Goodreads review for another one Steiger's books that made me laugh.

The reviewer, Documentally, was writing in 2022 about Steiger's Mysteries of Time and Space, which was first published in 1974. He wrote:

"I picked this up off a shelf in a Swiss mountain hut while working as a Pastore in 1999. According to my journal it was 20th of July and I read it in one sitting. The cows were behaving and there was little else to do.

"It sounded like I enjoyed it. I loved Brad's daring predictions from 1974. I especially liked his writings on how important it is to be childlike and not childish. That it's important to realise you can fashion reality.

"I was also pretty stoned on that particular day and this might have assisted in my appreciation of his book. For that reason I have given it 4 stars."

Documentally has a Substack, if you want to check out more of his writing. It's described as "A human authored journal in search of novelty, exploring what we share, how we share, and where we’re going." Sounds like it shares a lot in common with Papergreat, with the big difference being that I rarely leave home anymore. Also, I'm more of a saké guy.

Sunday, November 26, 2023

Update on an amazing house in Coudersport, Pennsylvania

From the Facebook page www.facebook.com/fwknoxvilla, posted November 23, 2023.

During a fun trip that Joan and I made to northern Pennsylvania in May 2013, I snapped a photo of a dilapidated house in Coudersport, Potter County. I added some filters and posted it here as a quickie snapshot of a "creepy old house." Later, I made it available as a postcard on Redbubble.

But it's no longer creepy!

Thanks to a post by On the Road in Pennsylvania that showed up in Facebook feed in early November, I learned that this house is undergoing an amazing renovation. 

The restoration is being documented on Facebook, Instagram and a blog so that everyone can follow along. I'm so glad I found out about this! Without that out-of-the-blue Facebook post, I probably wouldn't have known any of this. Now I want to help spread the word in my small way.

It turns out that there is a good bit known about this house. Located at 4 North Main Street in Coudersport, it's an Italianate house built in 1880 by Franklin W. Knox, a prominent lawyer and businessman. It was also formerly the Old Hickory Tavern.

According to the blog, "Construction began in 1878 and was completed in May of 1880, only a few weeks before a fire swept through the town." Knox had seen a similar house in Pittsburgh and wanted one for himself in Coudersport, built with locally sourced "maple, cherry, black birch, pine, oak, hemlock, chestnut and butternut." The estimated costed was $10,000, which would be a little north of $310,000 today (though I suspect using so much valuable wood would send the price far higher).

The house was electrified around 1905. After a couple of transfers of ownership, it became Coudersport's second Old Hickory Tavern around 1928. After a string of additional ownership changes over the decades, it was purchased by those who are currently renovating it in 2016.

Writing on the blog in 2021, co-owner Holly Mauser states, "I’m thankful for that, that so many people can see the beauty in an old house. They saw that beauty years ago when it was really not looking it’s best. I’m thankful that they saw potential like we did. I hope more people keep seeing the potential in these amazing buildings wherever they live." (The full post is quite wonderful.)

If you're interested in learning more, I highly recommend checking out all that's been documented on Facebook and Instagram about this epic renovation. I think we're all looking forward to the day when its 1880 beauty is restored as fully as reasonably possible. Coudersport is already a great place to visit, and the restoration of the old Knox house is just one more reason to take that road trip.

Monday, September 18, 2023

Great links: "A Wrinkle in Time" mystery is solved


In May, Sarah Elizabeth asked a simple question on the Unquiet Things blog: "Why is it that in this current year of 2023, no one seems to know who the cover artist is for this iconic Dell Laurel-Leaf A Wrinkle in Time cover art?? In a time when we have so much information available to us at our literal fingertips, how could it possibly be that the above marvelously and terrifyingly iconic imagery is perpetually credited to 'unknown artist'?"

Solving this mystery was not straightforward, but it was solved.

I was one of the members of Generation X for whom this was, indeed, an iconic paperback (first printed in 1976). We were assigned to read it at C.E. McCall Middle School in Montoursville in fifth or sixth grade, circa 1981 to 1983, and I recall many worn copies of this exact paperback lining a shelf below the classroom window. The cover was an attention-grabber, even if the story itself wasn't the easiest entry point into science-fiction for this middle school student. But I'm so glad my teacher introduced us to thought-provoking, challenging books. That matters.

Elizabeth's post spurred a lot of speculation and work by book sleuths. And the mystery was finally solved: The illustrator was Richard Bober (1943-2022). It took nearly a half-century for him to get public credit.

Taking the handoff from Elizabeth and finding the answer was Amory Sivertson of the podcast WBUR podcast Endless Thread, which focuses on questions and stories related to Reddit posts (Elizabeth had set Reddit to the task of solving the mystery.)

You can listen to the 44-minute podcast or read the full transcript here. It's hugely entertaining, especially for book sleuths. (And, as an aside that I can agree with wholeheartedly, someone says, "15% of everything is destroyed by cats." Also, the mystery comes to a conclusion in a Pennsylvania basement.

As Elizabeth wrote triumphantly, "I am a bit overwhelmed, and I don’t know what more there is to say about it anymore, but the case is cracked, and the mystery is solved!"

The story even caught the attention of The New York Times, where staff writer Amanda Holpuch described Bober's cover artwork thusly: "The mystery cover art shows a strapping centaur with delicate wings flying above a menacing green face with bright red eyes. Craggy mountains and fluffy dark clouds surround the haunting figures. The website Book Riot called the art 'nightmare fuel.'"

Menacing green face? Yes.

Haunting figures? Yes.

Nightmare fuel? Yup.

But mystery cover art? No longer. That was Richard Bober who fueled our 1970s and 1980s imaginations with his cover artwork to accompany Madeleine L'Engle's award-winning novel. 

Tuesday, May 16, 2023

Bonkers book title: "Garlic, Grapes and a Pinch of Heroin"

  • Title: Garlic, Grapes and a Pinch of Heroin
  • Cover secondary text: "Disappearing heroin and a missing brother ... can she prove his innocence and stay alive?"
  • Author: Elaine Turner, about whom I cannot find any biographical information. Contact me if you can help out!
  • Cover illustrator: Unknown, but we can assume the artist knew very little about the plot or actual genre.
  • Publication date: 1977
  • Publisher: Manor Books, which was in business for about a decade, from 1972 to 1981. As Wikipedia notes, "A marketing gimmick used by Manor was the Seal of Guaranteed Reader Satisfaction, which offered compensation if the customer was not pleased with his purchase." This book, however, does not offer that guarantee.
  • Format: Paperback
  • Pages: 226
  • Cover price: $1.50 (about $7.44 today)
  • Strange hyphenation in back cover blurb: "hi-jacker"
  • First sentence: Wisps of fog danced, slowly encircling the evergreens.
  • Last sentence: "I don't think we have to worry about his answer, but whatever it is, not much, not much at all."
  • Sentence from the middle #1: Her detecting had produced a big fat zero.
  • Sentence from the middle #2: Violet's formidable array of cosmetics were arranged on the dresser, a magazine lay on the slightly mussed bed.
  • Excerpt from the middle #3: "Well, howdy, it's sure been good to see ya'all. The tour's been mighty dull without you," Bernie boomed.
  • Online review: This book is rated 3.33 stars (out of 5) on Goodreads and there are no ratings on Amazon. But there's only one actual review online, and it served as the inspiration for this post. The review is by Justin Tate of SpookyBook, and it begins
"Let’s take a moment to admire that title. Wow. I mean, if that doesn’t catch the eye, what will? Of course the cover is less appealing. It has all the ingredients of Gothic standard, but on an eighth-grade art class budget. Nevermind that the novel itself is 0% Gothic."
Please go and read the entire excellent review. Other books reviewed by SpookyBooky include Lord Satan, The Ladies of Holderness, The Bishop of Hell and Other Stories, and the wonderfully titled Let the Crags Comb Out Her Dainty Hair. In addition, Tate wrote wrote a journal in the first half of 2020 that combines thoughts on the beginning of the COVID-19 pandemic with a first reading of Stephen King's The Stand. It's well worth reading and an important time capsule of a moment in history.

Sunday, April 16, 2023

It's over now, the music of the night

ajay_suresh, CC BY 2.0, via Wikimedia Commons 

Today marks the final performance of the Andrew Lloyd Webber/Charles Hart/Richard Stilgoe musical The Phantom of the Opera on Broadway, at the Majestic Theatre. It ran for nearly 14,000 performances, having begun at the Majestic in January 1988 — more than 35 years ago. I was still in high school when it debuted!

It's been around so long that I've had nine different residences since I saw the show's touring company in Philadelphia in the early 1990s. And I'm no longer sure where that playbill is, so I couldn't rustle it up for today's bit of ephemera.

It's very possible that I first heard about Phantom from my 11th grade history teacher at Strath Haven High School, Robert Larzelere. He was an enthusiastic, smart-as-a-whip and hilarious teacher who always kept our attention as he filled our heads with knowledge. When he died in 2011, his Legacy.com page was filled with messages from former students he had inspired.

During the minutes at the beginning or end of some classes, he would often try to broaden our horizons with elements of popular culture that represented a reprieve from the class struggles or economic theories we were learning about. I distinctly remember one day in the spring of 1988 when Mr. Larzelere put on a record and let us listen to the opening minutes of Phantom's synthesizer-charged score. (It must have been the London cast recording, right?) 

My mom and grandmother were fans of the show, too. They traveled to New York City to see the show on Broadway, and raved about it for months afterward. They played the vinyl cast recording on the mid-century record player cabinet in our Wallingford living room. 

As I mentioned, Mom took my sister and I to see Phantom in Philadelphia in the early 1990s. I saw it one other time, with Joan in Baltimore circa 2005. 

The "Highlights From The Phantom Of The Opera" CD spent many years in the regular rotation of music that I listened to while working.1 And, to this day, I sing songs from the musical in the shower.2 

There's been lots of great journalism in recent weeks about the end of the show on Broadway. Two that I really enjoyed were a New York Times piece about the members of the orchestra who have been with the show for years (or decades), and this Playbill article about the monkey musical box (Lot 665) that makes its final Broadway appearance today, too.
Footnotes
1. The rotation also included albums by Genesis and Counting Crows, plus the Magnolia and Punch-Drunk Love scores.
2. Too much information?

Friday, March 3, 2023

Great links: "Do youz want dippie eggs or eggie bread?"

Photos: Some French toast that I made for Ashar in June 2013.

Thanks to some Hatchy Milatchy research1, I stumbled across an amazing website (launched way back in 1995) called CoalRegion.com. It bills itself as "a collection of nostalgia and regionalisms from the Anthracite Coal Region of Pennsylvania. The region is made up of Schuylkill, Carbon, Lackawanna, Luzerne, Northumberland, and Columbia counties, and also the northernmost reaches of Dauphin county." 

While it has a dandy collection of regional recipes and other groovy features, my favorite part of the website is the A-through-Z CoalSpeak dictionary. I wish someone would publish it in book form (and save me from printing it all out), because it's an invaluable cultural resource that deserves better than becoming a Lost Corner of the Internet.

One of the entries on CoalSpeak is for eggie bread: "bread dipped in egg, then fried, and served with syrup, powdered sugar, or salt and pepper, usually at breakfast. Known to the rest of the world as 'French toast'. 'Do youz want dippie eggs or eggie bread before I run ya over ta Mass?'"

I've been making French toast for my son for years. My memories of French toast date back to Webelos camping trips that Dad and I went on when we lived in Montoursville in the early 1980s. For breakfast, the Scout leaders would have a huge container of egg/milk batter and set up an assembly line to grill French toast for everyone. Great times.

And I did not know that eggie bread was another name for French toast.

As for dippy/dippie eggs, Joan has written often about them on the Only in York County blog, including in July 2007, October 2010 and in this post about Yorkisms. It's such a fun blog to wander through, and it's another thing that I wish would be saved in book form for posterity!

Here are a few of the other entries from CoalSpeak:
  • my story: one's favorite soap opera.  
  • night fishin: from Sunbury ... Building fires at the Susquehanna River at night so you can fish for carp. The fishing area was first seeded with hard corn in the afternoon, then the hooks were baited with sweet corn upon returning at night. The two to three foot carp were taken home and buried in the garden for fertilizer.
  • slidin' board: the children's park or playscape item that kids slide down. To the rest of the world, it's a slide. To the coal region, it's a slidin' board.
  • tamayta or tamayda: tomato
  • warsh, worsh: wash, usually the laundry. (I use "warsh" all the time!)

Footnote

Thursday, February 2, 2023

Dust jacket of Ruth Manning-Sanders' "The Growing Trees"

I was happy to stumble across this new-to-me internet image of the dust jacket of Ruth Manning-Sanders' 1931 novel The Growing Trees. According to the UK bookseller, the very rare jacket is from the third Faber and Faber impression. 

My copy of this book is from the William & Morrow Company edition published in New York, also in 1931. It has no dust jacket. The novel, which I mentioned in passing in a 2016 post, is split into two parts: Nether Brook and Primrose Hill. This is the first paragraph:
"James Brock first experienced the joys and sorrows of a romantic attachment when he was tens years of age. It happened in the holidays, like most of events of importance in his life so far, and the object of his love was a Scotch farm girl of fourteen, called Margaret; who, with her long strands of bleached hair, and her deep-set blue eyes, reminded James of the picture of Rapunzel in the colored woodcuts in his big old edition of Grimm's Fairy Tales."
As I've noted before, Manning-Sanders was writing about fairy tales decades before she was penning her own retellings of fairy tales. In the first pages of The Growing Trees, there are also mentions of Red Riding Hood, the princess and the pea (and its feathered mattresses), Arabian Nights, and "riding to the accompaniment of silver bells like the queen of elfland."

The Faber and Faber dust jacket illustration, featuring a man and a young woman riding carousel horses, is signed Hookway Cowles. He got a lot of work with dust jackets and interior illustrations from the 1930s through 1950s; he has a listing on the Internet Speculative Fiction Database.

A 2020 post on The Folly Flaneuse provides some biographical information: Hookway Cowles lived from 1896 to 1987, and was the son of a Yorkshire clergyman. He was most famous for his work illustrating novels by H. Rider Haggard.

(The Folly Flaneuse is a wonderful and professional site that I'll have to dive into at some point. It describes itself as "rambles to, and ramblings about, follies and landscape buildings." Follies are expensive ornamental buildings with no practical purpose. They are often towers or mock ruins constructed in gardens or parks.)

Sunday, January 22, 2023

Wynn's dandy endpapers illustration for 1933's "Incredible Land"

These are the dazzling endpapers of Basil Woon's 1933 travel book Incredible Land, which is subtitled A Jaunty Baedeker to Hollywood and the Great Southwest. (Karl Baedeker published a series of guidebooks for tourists in the 1800s. They were so popular and respected that, well into the 20th century, Baedeker served as a synonym for any travel guide.)

My copy of the book doesn't have Wynn's equally dazzling dust jacket illustration, but I've included an online image of it here for posterity. I can't find much information about Wynn; having only a common four-letter moniker doesn't help much with the search engines. Any information sent via the comments would be appreciated!

This travel guide — with its hedonistic focus on finding women, food, beds and bootleggers in the West — was written during the late years of Prohibition and then essentially hit the booksellers' market just in time for Prohibition's repeal on December 5, 1933: Rotten timing for an author who had worked hard to let people know where to find illicit booze.

As The New York Times noted on December 10, 1933: "The lapse of time since this book was written has been less than a year, yet so much alcohol has flowed under the bridge during that period that many of Mr. Woon's pages have a distinctly historical flavor. This fact he himself acknowledges in a last-minute chapter of 'Addenda and Errata' in which he points out that repeal alters 'the entire entertainment map of the United States.'"

Here are a few tidbits about Arizona from Woon's book:
  • "The city of Tucson, once capital of Arizona, has of late been adopted by Eastern fashionable folk, many of whom have built fine homes there. The climate is said to be a cure for sinus trouble."
  • "During the rainy season in late summer the Arizona section of the road is sometimes impassable, due to cloudbursts transforming the desert arroyos into sudden torrents."
  • "From Roosevelt [Reservoir and Dam] one may continue southeast to Miami and Globe, copper smelting towns, and on through the Apache reservations to the Mormon colonies near Safford."

Other posts with endpapers illustrations (for your online browsing pleasure on a rainy or snowy day)

Sunday, September 25, 2022

Olya Luki's beautiful autumns

I get a pretty good Instagram feed delivered to me, because almost everyone I follow is either an artist, photographer, or curator of great art and photography. I don't follow influencers, so my feed isn't mucked up by the commercial stuff that many people say ruin the Instagram experience for them.

Anyway, one of the artists I follow is Olya Luki of Russia. She's a great one to follow, if you're a fan of cozy, colorful scenes. These are understandably difficult times for Russian artists, for reasons that are no fault of theirs. I believe that artists should be embraced, wherever they are from. I'm glad that Olya Luki's artwork is out there for the world to see. I think it often dreams up a better version of what the world could be.

Wednesday, August 17, 2022

Poster for 1935's "One Frightened Night"

This is the delightful poster for the 1935 thriller/mystery/comedy One Frightened Night. The film's "monster" is shown in the middle of the poster, underneath the text. That's about right, because it's not in any way a monster movie, nor is the purported monster terribly scary. I've been on a kick of watching "old dark house" movies circa mid-1920s to mid-1940s this summer, and have some more queued up heading into the autumn. Stuff like this and 1933's The Secret of the Blue Room

Old dark house movies have, as you might assume, creaky old houses filled with suspicious characters. They take place at night and, usually and preferably, during a howling thunderbumper. There are candles, secrets to discover, hidden passages, roaring fires, banging shutters and, if it's a good one, plenty of snappy dialogue. They're great comfort-blanket films. The king of them is the one that named the subgenre, James Whale's The Old Dark House from 1932.

This poster comes from CineMaterial, a wonderful archive for movie posters and a great website to browse. Check out 1909's A Trap for Santa Claus and so many others, onward through the decades of film history. There's also a dandy subsection of Polish movie posters for international films, featuring some incredible designs.

Thursday, November 25, 2021

1916 Thanksgiving postcard
and "All good things..."

Happy Thanksgiving!

I like the message on the front of this vintage postcard: "May happiness with you abide and never leave your fireside."

It was postmarked and mailed to New York state in late-November 1916. The cursive note states:
"How is every one? We are all well but father. Had doctor for him Sat. Why don't you write? Where do you spend Thanksgiving?"
Today's an anniversary. I began Papergreat with this post 11 Thanksgivings ago. Thanksgiving also fell on November 25 in 2010. 

So there's symmetry if this is the final Papergreat post. Eleven years on the dot, 3,498 posts. Now, 3,500 would be a rounder figure, you might say. But 3,498 divided by 11 works out to exactly 318 posts per year, on average, so there's your round number. And, wow, that's a lot of posts, if I do say so myself.

Do I still have a Papergreat to-blog list? Of course. It includes Fisher-Price advertisements1; sci-fi author Jesse Miller; the Winchester Mystery House; the 1971 board game Drug Attack; the haunting Miss Christine; poster artist Bonnie MacLean; the Essex House book Lovely by David Meltzer; my Pappy's World War II reminiscences; the Steve Jeltz Fan Club, the postcard tales of Loren E. Trueblood; and essays I still want to write about a half-lifetime of working in the newspaper business and watching movies.

But there's always going to be a list, right? There won't come a day when I reach into a box and pull out the very last slip of paper that I could possibly write about. That's not how ephemera — or ideas — work. 

So regrets about unfinished business can't be the driving reason to keep writing Papergreat.

Is this the last Papergreat post? I don't know. I've wrestled enough with that question recently to know I don't have a definitive answer. At the very least, this is the last post for a while. Beyond that, I'm not sure. I know I don't want to continue with the short daily items I've sometimes posted merely to satisfy my self-mandated, OCD goal of a certain number of entries per week. 

Maybe I'll transition to only writing super-sized holiday or seasonal posts. And/or continue to put longer ephemera-themed writing projects here when they're ready. I am compelled to continue writing, and I want to try some longer pieces moving forward.

I suppose there's a chance that some writing might show up on resimplify.me, an intriguing domain name I've been squatting on for awhile. No guarantee of that, but I thought I'd mention it for posterity. And I still plan to maintain a Twitter presence

I'm still fascinated by history and ephemera. The stories that can be told and the questions that can be raised by mere pieces of paper. As the year-end holiday season approaches, I am reminded of one of my personal favorite Papergreat posts: A merry Christmastide to you, Marguerite E. DeWitt.

Finally, as I was mulling this post, I think it's kismet that I came across an amazing Twitter thread about the power and importance of ephemera. It's by @PajamaStew, and I'm going to share it here in its entirely. Again, for posterity. These stories do matter. And I'm grateful on this Thanksgiving for PajamaStew's amazing piece of writing and that it was released into the world:
I may regret sharing this, but I have a very personal story I would like to tell. I hope it doesn't get too long... Anyway...

I was 20 years old when I was sent to erase a man from existence and became haunted by him.

I was going to college in Texas at the time and a group of us were contacted about a service project. The State needed a handful of young volunteers over the course of a Sunday afternoon and I was one of about ten that agreed to help. We were asked to go to the home of an elderly gentleman that had recently died and help sort his belongings. He didn’t have any close relatives and his estate was going up for auction.

So, we were tasked with tearing everything out of his home and identifying items that had value to place inside “Auction” boxes, while the rest would be tossed in “Trash” boxes. I was excited about spending an afternoon doing service work with a group of friends.

I was not prepared for what I was about to face in this dusty little house somewhere in west Texas. It was immediately unsettling to step into a stranger’s bedroom and try to assign value to his possessions. Should we really be digging through his drawers trying to decide if any of the tiny bits remaining of his life were of any value now that he was gone? The truth hurt, as I was forced to admit that almost none of it had any value.

No one would want to buy an old deck of cards or a worn sweater. There’s no value in VHS tapes or water-damaged paperbacks. The “Trash” boxes grew heavy. The “Auction” boxes sat mostly empty.

I was already rattled by the experience when halfway through I opened a closet in a guest bedroom and found a stack of banker boxes. Inside I uncovered something that made my heart freeze.

I’m shuddering as I write this. The boxes were filled with several old photo albums.

I was tempted right then to just throw the entire cursed things in the trash without ever opening them. But I couldn’t do it. I was drawn by the mystery of those albums. They were covered in dusty fingerprints as if a ghost had prepared them and then led me to find them. And they were now pulling me gently down, begging me to open the covers and to be a witness of what was inside.

Inside I found a man’s life, compartmentalized into a stack of images, bound together in leather books. Photos.

At first of a young boy. Black and white. Faded. Surrounded by strange people. Happy. Brothers together in a field. A sister with long black hair. A dog on a porch somewhere. As I turned the pages, I watched as the boy grew. His hair became longer. He became a young man. He grew a mustache. It went away. Sometimes he was in the pictures. Sometimes the pictures were a vision seen through his eyes.

I saw what he saw. I saw what he valued and found beautiful. Stones. Light. Shadows. And then, suddenly, as if conjured from those stones and shadows, he was joined by a young woman. She was also beautiful. Flowing brown hair and brown eyes. Always seeming caught mid laughter. I could hear her. I still hear her. It was haunting. I fell in love with her, or rather, I fell in love with the way he had fallen in love with her. It was a love that caught in my throat.

They grew. Held hands. Were married. I smiled, seeing their joy as they stood together at the altar. My heart nearly stopped seeing her in her simple white dress, as if this man had possessed my body and was looking at these photos with me, through my eyes, one last time.

Time passed as I sat cross-legged on the floor meditating over the albums.

I heard my friends as they banged around in the kitchen and elsewhere struggled to move a dusty red couch from the living room, but I sat solemnly in the closet desperately looking at every picture in the dead man’s album. I felt torn. I could not look away.

So, I hid, and I forced myself to look at each and every picture.

I turned the pages, and the young man and the young woman grew old.

Here was a happy couple standing together at a white fence in front of a small house somewhere in west Texas, him in a tan fedora and matching suit coat, her in a dark green dress. Here was a woman on the porch drinking tea watching the sunset. There was a speckled dog sitting on the porch beside her.

Time passed so quickly as I turned the pages. It felt unfair as if I were hurrying their life on to its conclusion. The couple stood together and smiled at me apologetically from an old polaroid. I kept going.

There were no children. Only various friends. Side characters appeared for a time and then disappeared at random as new ones arrived. But always it was the two of them, the man and the woman. Adam and Eve standing in their dusty garden around a flowering Creeping Thyme.

The sun flickered in spirals across the pages. And then suddenly it happened. The woman, the beautiful woman, she started to change quicker than the man.

Her eyes became sad. Her laughing smile became less frequent. She looked tired. There were no more trips to the Grand Canyon. No more summer drives and picnics in the forest.

She was dying.

And then I turned a page and she was gone. There were still several more albums of this man’s life, but from that point on he was alone.

Instead of this beautiful laughing woman, he took pictures of stray cats. Instead of posing with her in front of motels on some blazing yellow-tinted adventure, he took photos of the moon over a dark house shrowded in purple twilight.

The man was less visible in the images now. As if he were already fading out of existence.

Sometimes he showed up in mirrors or reflections in dirty shop windows. An old man in a tan fedora, alone, in a house, somewhere in west Texas.

I closed the last album and sat for a long time on the closet floor, resting my head back against the wall.

My fingers burned with the realization of what they had to do next. It was time to make the choice about where the photo albums should go. Where was this man’s life going to be placed? Did it have value or was it “trash”? The answer to the question hung over my head like a sword.

I closed my eyes, replaced the lid of the box, and put it back in the dark corner where I had found it. I couldn’t do it. I quietly closed the closet door and walked away.

Later I returned to help some friends move a dresser from the same room and out the corner of my eye I saw where a shaft of light now fell onto a blank patch of carpet in the corner. The photos were gone. Maybe they had never actually even been there.

I thought about this as I helped maneuver the heavy dresser through the now empty ribcage of the home.

As we were preparing to leave, we were met in the yard by the person from the state that had called us to help. They thanked us for our efficient work.

I just stared at the ground in shame watching a cloud of ants as they carried away bits of something hidden in a tuft of nearby grass. We were ants. I shook my head. No. We were vultures.

As payment for our work, we were told that we could take one item from any of the “Auction” boxes to keep for ourselves. My coworkers leaned their heads into the cardboard tombs and somberly held treasures up to the sun.

They playfully fought over who could take the old jewelry that looked as though it hadn’t been worn in years (Only I knew how many). One boy took a heavy flashlight, another took a pocket knife.

I waited, uneasy with the whole ghoulish activity, and as I waited I wander through the ocean of “Trash” boxes. I ran my hands over the items with a reverence that I did not fully understand.

I felt like I knew this man, and it humbled me that I may be the only living person on Earth that did.

Was it possible that I was the only person to contain the knowledge of him, the only one to watch him grow from a young boy into a man, the only person to watch from a distance as he fell in love, the only person that saw him as he watched his love die?

I was a stranger, but I had, by strange chance, followed him through his life watching as his life boiled and dissolved down to a small collection of silent images, preserved and rifled through in the course of 30 minutes time by some young boy hired to erase him. That alone would be the gift, I decided. Just carrying the memory of this man secretly inside my soul. That is all I would take with me.

But then I passed a box full of black garbage bags and something caught my eye. I froze in place. I was suddenly unable to even breathe. With a trembling hand, I reached deep into the pile of discarded debris and touched it. It was real.

A tan canvas fedora. The same exact tan canvas fedora that I had seen this man wear so often in photos that it had almost become a part of him. It was in the pictures with his wife, and it was in the years that follow. This hat had gone with him.

I held it gently by the brim and lowered it onto my head. It wasn’t a perfect fit, but it somehow felt right. It felt, providential. I felt like something quiet and sad had led me to find it and now that it was on my head there was a change in the air. There was contentment.

I slowly walked back to meet up with my group as they waited to climb into the van. As I stood in line with them I stopped for a moment and turned around.

I was standing just inside the gate of a white picket fence on a paved walkway leading to a small house somewhere in west Texas. I turned to look at the house one last time, I adjusted my hat, then I closed the gate and left.

I wore that hat for the next ten years of my life.

It traveled with me around the world. I was yelled at once by a Ukrainian woman for placing it on the ground in a park. And I nearly caught it on fire by foolishly hanging it on a lamp in Mexico City. It was on my head as I climbed to Machu Pichu and it ducked through a stone doorway with me as I explored the Coliseum of Rome. And I was wearing it at the airport in Kiev as I waited for the plane carrying the woman that would later become my wife, and I held it behind her back in the rain a few days later as we kissed under the watchful eye of Lenin.

I have albums of pictures hidden away and I’m proud to say that this old canvas hat shows up in it often. I stopped wearing it around the time that my first daughter was born.

It was starting to get dingy and show its seams and there was something that felt disrespectful about that. So, one day I took it down off its hook and I walked to the shed and placed it in the box where I save my most loved possessions.

Someday, perhaps a long time from now, a young boy might open the lid of that box and find an old canvas hat and then ... who knows? 

— @PajamaStew

Footnote

1. If this is going to be the last post, there has to be a silly footnote, right? So, I ask, what fresh hell is this, Fisher-Price?