Tuesday, April 13, 2021

The Clayton book attic

One of these days/years I would like to do a mini-series similar to Montoursville 2018 about my childhood memories from the time we lived in Clayton, New Jersey (summer 1978 through late 1980). 

Thus far, my tales of growing up in the little borough in Gloucester County have been sprinkled, often as short asides or footnotes, around many different posts spread over a decade. I've mentioned the cats we adopted while living there; playing with Star Wars figures; the kids' shows we watched on WKBS-TV; watching the Leonard Nimoy-hosted In Search Of... with my friend Michael; Brigantine Castle commercials; playing The Sinking of the Titanic boardgame; listening to "Ain't No Stoppin' Us Now" by McFadden & Whitehead; and chunks of Jersey glass that we found in the yard.

But there's no organization to any of it, which makes me a little sad and a little itchy. Little Clayton deserves its own chapter; it was a fascinating and formative part of my childhood.

That said, I'm not going to help matters today, because here's another post about just a tiny slice of growing up in Clayton. I struck me recently that our house, up in its creaky attic, had what essentially served as my first library. 

My first solid memories of going to an actual library are Dr. W.B. Konkle Memorial Library in Montoursville, starting in 1980. In Clayton, I had perhaps a dozen books in my bedoom, I have vague recollections of a bookmobile occasionally passing through, and I got some books — including the late, great Beverly Cleary's Henry Huggins —  from neighborhood yard sales.

The place to browse through books was the attic of our very house.

Let me tell you a bit about that attic. The second floor of the old house had an L-shaped hallway. At the far end — at the top of the L — there was a door on the right. It opened to a semi-steep, half-spiral staircase that curved upward into the spacious attic. If it sounds creepy, it was. We fancied that it was haunted, of course. But that hardly stopped me from going up there often. 

The main room had low shelves (or perhaps they were just propped-up plywood) from one end to the other. And on those shelves were books. Many, many books. These were my parents' books. Books from their own youth. Books from their college days. And books they had accumulated throughout the 1970s. I was born a book browser, and this was my first experience with what would be a lifelong passion of just going through random piles of books and finding almost everything interesting in some way or another.

Many were paranormal-themed paperbacks that Mom had bought and read, and they were right in my 8- and 9-year-old wheelhouse, too (as you might tell from the second paragraph of this post). 

Here's what I remember for certain, 40+ years later: spook-themed books by Hans Holzer and Susy Smith; the distinctive Signet paperback of George Orwell's Animal Farm; several of Harry Kemelman's Rabbi Small novels (Friday the Rabbi Slept Late, etc.); other books compiling Fortean (not a word I knew at the time) vignettes, such as those Strange..., Stranger..., Strangest.... books by Frank Edwards. 

Other books that were likely up there include: various Ellery Queen paperbacks, J.R.R. Tolkien paperbacks, a copy of Jonathan Livingston Seagull (which I believe was required by law for young families in the 1970s), surely some William Shakespeare plays from college, and much more. At some point, my memories begin to conflate with my parents' boxes of books in the attic on Willow Street in Montoursville and the books that ended up in the cellar of the Oak Crest Lane house in Wallingford, after many moves and a divorce. But they were all the same books, right? If they were published prior to 1978 or so, they were very likely in that spooky, sweltering attic in Clayton. Where I first discovered the joy of losing an afternoon to browsing books.

Monday, April 12, 2021

Rediscovered photo of Mitts

Time for some cuteness! Last weekend I stumbled upon this photograph (probably about a decade old) of Mitts, Papergreat's late, great polydactyl assistant. I dearly miss that friendly, book-loving fluffball.

Sunday, April 11, 2021

Book cover: "Snowed Up"

  • Title: Snowed Up
  • Author: Rosalie K. Fry (1911-1992)
  • Fry's most famous work: Her 1957 novel Children of the Western Isles was republished in 1959 as The Secret of Ron Mor Skerry. The book served as the basis for the well-received 1994 children's film The Secret of Roan Inish.
  • Illustrator: Robin Jacques!!!
  • Publisher: Farrar, Straus & Giroux (An Ariel Book, Weekly Reader Children's Book Club Presents)
  • Year: 1970
  • Pages: 124
  • Format: Hardcover 
  • First sentence: The first small snowflake wavered uncertainly past the window, followed by a little burst of larger flakes.
  • Last sentence: As he spoke, the candle quietly guttered out, bringing their little Christmas to an end.
  • Excerpt #1: "Oh, you lucky dab!" exploded Verity enviously.
  • Excerpt #2: "I don't know whether these things are swedes or turnips or even mangel-wurzels," she said uncertainly. "But, whichever they are, I'm sure they're all right for humans to eat. So that will at least give us a change of food."
  • Mangel-wut now? (1) Swedes are rutabagas. (2) Mangelwurzel (aka mangold wurzel, mangold, mangel beet, field beet, fodder beet or root of scarcity) is another root vegetable. It is primarily considered a fodder crop for livestock.
  • Rating on Goodreads: 4.11 stars (out of 5)
  • Goodreads reviewer description of the plot: In 2018, Hilary wrote: "This was such a good old fashioned children's adventure, you could tell what was coming but that made it all the more fun. Four children are staying with their aunt and uncle in Wales, when disaster strikes the three younger children are sent home in a snowstorm and you can just imagine what happens next!"
  • Goodreads review excerpt: In 2012, Kathryn wrote: "Aside from one dreamy Christmas-inspired moment towards the end, the magical quotient in the book isn’t quite as high as that found in [The Secret of Ron Mor Skerry]. And for all the danger the Snowed Up children face, the basic tenor of the book is as bright as the sun sparkling on the snow that reaches all the way up to the second floor windows of Pen Mynydd."
  • Rating on Amazon: 5 stars (out of 5)
  • Amazon review excerpt: In 2012, "Panda" from the UK wrote: "This book might seem a little dated to todays children (no mobile phones!!!) - however it is a great short adventure and the children are remarkably resourceful in a very tricky situation. A delightful read."
Bonus: Interior illustration by Jacques...

Saturday, April 10, 2021

Wonderful bit of medical ephemera

Shot #1
4/10/2021
San Tan Valley, AZ

Postcrossings: Church and countryside

Here are two Postcrossing postcards that I've received in my mailbox (actually a community wall of mailboxes a half-block from our house) since moving to Arizona.

First up is this postcard from Alina in Ukraine.1  It shows the ornate interior of the 18th century St Andrew's Church in Kyiv, Ukraine, which was designed by Bartolomeo Rastrelli of Italy. According to Wikipedia, "The church has no bells as, according to legend, their noise would cause flooding of the left part of the city."

Alina writes: "Hi, Otto! Hope you love the postcard. I've never been inside this church as the entrance is fee based — what a strange idea for a church. Take care and come visit Ukraine."
Next up, is this multi-view postcard from Tiverton, Mid Devon, Devon, South West, England, United Kingdom. As with any proper town in England, there are local ruins of a castle and associated folklore and ghost stories.
Peter, who likes to talk long walks and play guitar in a Tiverton band, writes: "Hi. In the middle of our third lockdown because of COVID. Lucky to live in the countryside. Most of the fields are full of sheep with their new lambs. Missing live music and travel. Hope you are well and safe."

Footnote
1. Keep the citizens of Ukraine in your thoughts. Washington Post headlines from this past week:

Thursday, April 8, 2021

"The War is over and boys are back in College."

Today's postcard is a Genuine Curteich-Chicago postcard featuring "Quadrangle showing Old Main, Bucknell University, Lewisburg, Pa." It was postmarked in Lewisburg on November 8, 1945, and mailed to Mrs. Amos Herold on West 52nd Street in Los Angeles, California.

The message states:
Nov. 8 - 1945
Bucknell had the most wonderful "home coming" Oct 20th. 1400 new and former students are here. The War is over and boys are back in College. Mrs. Marsh lives alone in that big house. Sorry Mr. H. is not well. 
Sincerely,
Grace Snyder

Bucknell's Homecoming football game on that October 20, 1945, was against Penn State, with the Nittany Lions winning, 45-7. Bucknell's lone touchdown came on a 61-yard pass from Bill McKay to George Buchanan in the third quarter. Bucknell's only two football wins that autumn were against Scranton and Lafayette.

As to the Bucknell campus, one of Bucknell's history webpages provides these tidbits:

  • "In 1945, in expectation of the effect of the GI Bill on college admissions, President [Arnaud Cartwright] Marts developed a plan to recruit veterans and young men, which was described in the minutes of the Executive Committee of the Board of Trustee’s meeting in Philadelphia:
Chairman Bostwick then read President Marts’ letter regarding a new plan for campaigning for young men and returning veterans. This plan involved sending a representative of the college to separation centers and actively recruiting men who are discharged from the army and also make an intensive effort to recruit 16 and 17-year old boys to begin their college work. Mr. Henderson moved and Dr. Harris seconded the motion that President Marts be empowered to move as he deemed proper. The motion carried unanimously.”
  • "Tuition for men for both the 1945-1946 and 1946-1947 Academic Years was $400.00 for the college year from September to June. The cost of a furnished room for men ranged from $120.00 for a furnished room in East or West College to $300.00 for a furnished suite with bath in Main College."
  • "In 1945, the university conferred the Master of Arts on twelve individuals, nine of whom were women, and the Master of Science in Education on seven individuals, three of whom were women."

Wednesday, April 7, 2021

When life imitates blogging

I wrote the Papergreat post about Frostie Root Beer nine years ago, and it's been a pretty popular post over the years, generating a lot of interesting comments. But, until this past weekend at the Safeway in Florence, Arizona, I had never seen a bottle of Frostie Root Beer in the wild!

Now I can drink some of the ephemera I've written about, which is weird sentence to type. But don't hold your breath waiting for me to start tracking down and eating some of the gelatin mold dishes that have been mentioned in the past.

Meanwhile, around the Twitters...

Tuesday, April 6, 2021

Just your average Yasujirō Ozu / Norma McClain Stoop post

I have become an increasing fan of the films of Japanese director Yasujirō Ozu since watching Tokyo Story for the first time in November 2019. I followed that up over the past year and half with Good Morning, Late Spring, Floating Weeds and Early Summer — all brilliant and calming. Everything slows down when you watch an Ozu film, which is a blessing in this stressed-out world. (The movies of Kenji Mizoguchi, Agnès Varda and Víctor Erice work this magic, too.)

In seeking to learn more about Ozu's career, I picked up a used copy of The Major Works of Yasujiro Ozu, a slender, staplebound booklet (cover pictured above) that was published in 1974 by New Yorker Films and features excerpts from Donald Richie's biography Ozu, which was also published that year. There are also reprints of reviews of Ozu films by Roger Greenspun, Nora Sayre and Vincent Canby.

The booklet is nearly square: 8⅜ inches wide by 8⅞ inches tall. 

In addition to being a valuable cinematic resource, my copy also has some interesting provenance. A sticker on the inside back cover indicates that it was once part of the the Harvard Theatre Collection at The Houghton Library. 
Houghton describes itself as "home to Harvard’s rare books and manuscripts, literary and performing arts archives, and more." It has papers by Samuel Johnson, Emily Dickinson, John Keats, Louisa May Alcott, Theodore Roosevelt, T.S. Eliot and Colonel Robert Gould Shaw, who commanded the 54th Massachusetts Infantry Regiment, a unit of African American soldiers, during the Civil War.

I have no idea when or why Houghton's overseers decided to deaccession this Ozu booklet from the performing arts collection. Or maybe it simply went missing, was never deaccessioned and they'll be getting in touch after reading this post. If Harvard wants it back, I won't say no.

The other provenance mark on this book, however, is even more interesting. It's a stamp that appears on Page 2:
And who is Norma McLain Stoop? She was a lover of movies, too. She loved them very, very much. So much so that her raves appeared in newspaper advertisements for movies throughout the 1970s and 1980s: 
  • "James Stewart ... it may be well be his best performance!" — Fools' Parade (1971)
  • "A wow of a film." — W.C. Fields and Me (1976) 
  • "Highly original, hard-hitting film and uniquely frightening. The climax is brutally astounding and demoniacally haunting." — The Sailor Who Fell from Grace with the Sea (1976)
  • "Happiest, funniest movie event of the year. Peerlessly witty dialogue. ... Wonderful performances throughout. Bisset is comically endearing. This elegant film will be gobbled with glee by every imaginable kind of audience. A hilarious comedy thriller." — Who Is Killing the Great Chefs of Europe? (1978)
  • "It's so good that I'm sure it won't be forgotten when Academy Award time rolls around in 1988." — Beyond Therapy (1987)
I'm guessing you haven't heard of some of these films. (Don't worry, you didn't somehow miss Jimmy Stewart's best performance. It's still Vertigo.) Or, if you have, you do not known them as rave-worthy masterpieces. That's the point. Norma McLain Stoop was a film critic who boosted her own profile, and that of her publications, by providing euphoric quotations that were perfect fodder for newspaper advertisements. (Beyond Therapy, by the otherwise wonderful Robert Altman, was indeed forgotten at Academy Award time.)

Joe Meyers, who writes the "Joe's View" movie blog for Hearst Communications, wrote an insightful 2008 post titled "When Norma McLain Stoop walked the earth." Here's an excerpt:
"My mind flashed back to the wildly enthusiastic reviews a woman named Norma McLain Stoop used to write for 'After Dark.' Norma never saw a movie she didn’t like and she helped spread the name of her magazine by being a pioneer in the quote-whoring that now fills ads for new movies. Few people read Norma’s reviews ... but her quotes were everywhere in the early and mid-1970s. She would give distributors enthusiastic comments so far in advance that her name would appear in the trailers for art films that were distributed around the country. Norma was so hyperbolic — and so unknown outside New York — that audiences in arthouses around the country would crack up when her name (and her gush) appeared on the screen."

For a little more on her, Meyers also quotes what is now an utterly vanished corner of the internet, where a "nameless movie industry blogger on a site called 'Zoom in Online'" once wrote about Norma. Here's a secondhand excerpt, keeping this nameless individual's thoughts around for posterity:

"Her quotes were deposited at your door as reliably as the Sunday Times, and were ready for immediate placement in your ad! Somebody once said, ‘If Norma McLain Stoop didn’t exist, someone would have to invent her.’ Well you didn’t need to invent Norma because Norma invented herself and she did a damned good job. Norma was a kind of graying version of a Factory Girl. Rail-thin, she was proud and stately like the other legendary Norma, Norma Desmond (if Norma Desmond hung out at Studio 54). She was immersed in the gay-tinged world of the performing arts. She had New York attitude. She loved NY culture with all her heart and soul, and if people wanted to laugh at her because she was a bit too promiscuous with her affections, then so be it ... She was aware of how people perceived her and she didn’t care."

In retrospect, Norma McLain Stoop had to be a true movie fan to do what she did all those years. She raved about the lesser films and outright duds of her time in order to help promote her magazine and pay the bills. Perhaps, behind the scenes, all she really wanted to do was settle in with a quiet Ozu film.